The Modern Language Review, 1-10. ciltlerModern Humanities Research Association, 1915 The Modern Language Review (MLR) is an interdisciplinary journal encompassing the following fields: English (including United States and the Commonwealth), French (including Francophone Africa and Canada), Germanic (including Dutch and Scandinavian), Hispanic (including Latin-American, Portuguese, and Catalan), Italian, Slavonic and East European Studies, and General Studies (including linguistics, comparative literature, and critical theory). |
Kitabın içinden
29 sonuçtan 1-5 arası sonuçlar
Sayfa 35
... omitted , than that the engraver should have made use of a Scandi- navian preposition for which there is , as far as we know , no evidence elsewhere in English . In view , however , of Vietor's phrase ' alle beschädigt ' we are inclined ...
... omitted , than that the engraver should have made use of a Scandi- navian preposition for which there is , as far as we know , no evidence elsewhere in English . In view , however , of Vietor's phrase ' alle beschädigt ' we are inclined ...
Sayfa 37
... , where the slaying or mutilation of Grendel and his mother is narrated . But this ' break in continuity ' is due to the simple fact that Professor Blackburn in his summary has omitted the connecting link . The slaughter or.
... , where the slaying or mutilation of Grendel and his mother is narrated . But this ' break in continuity ' is due to the simple fact that Professor Blackburn in his summary has omitted the connecting link . The slaughter or.
Sayfa 38
summary has omitted the connecting link . The slaughter or mutilation . of the monsters in the cave leads to the water being reddened with blood , and it is the sight of this blood that leads the Danes on the cliff to conclude that ...
summary has omitted the connecting link . The slaughter or mutilation . of the monsters in the cave leads to the water being reddened with blood , and it is the sight of this blood that leads the Danes on the cliff to conclude that ...
Sayfa 47
... omitted altogether , the Adoration of the Shepherds being numbered 16 and the following play , the Adoration of the Magi , 18. Moreover , the numbers often indicate a division where the text is continuous . Thus the number 2 in the MS ...
... omitted altogether , the Adoration of the Shepherds being numbered 16 and the following play , the Adoration of the Magi , 18. Moreover , the numbers often indicate a division where the text is continuous . Thus the number 2 in the MS ...
Sayfa 49
... omitted to finish the correction of the numbers after XIV , and as he omitted to complete the stanzas for the XIV and XV pageants , though spaces are left in the MS . for the purpose . There is , however , good ground for thinking that ...
... omitted to finish the correction of the numbers after XIV , and as he omitted to complete the stanzas for the XIV and XV pageants , though spaces are left in the MS . for the purpose . There is , however , good ground for thinking that ...
Diğer baskılar - Tümünü görüntüle
Sık kullanılan terimler ve kelime öbekleri
allegorical amore appears ballad Beatrice Beowulf Cambridge canzone Catalan century chansons de geste Chaucer Convivio copy criticism Cyneheard Dante Dante's demo donna gentile drama E. K. Chambers eclogues edition editor Elizabethan English Literature explained F. W. Moorman fact Fischer folio French G. C. Macaulay G. C. Moore German Guisarme herausg intendendo J. G. Robertson King Kressyd lady language lines literary London Marcellus meaning mente Middle English modern Nodier notes omitted original Pant Pant¹ passage Philosophy place-names play poem poet poetry printed probably prose quoted reader reference Ruthwell Cross Sannazaro says scene seems Shakespeare Somaize Songs sonnet Sorel story strophe Symbolists translation Tristram Troelws verse VIII Vita Nuova volume W. W. Greg Walt Whitman Weckherlin Welsh Whitman words writing written
Popüler pasajlar
Sayfa 328 - Piangendo dissi : Le presenti cose Col falso lor piacer volser miei passi, Tosto che il vostro viso si nascose.
Sayfa 177 - Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue : but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines.
Sayfa 8 - Quel est celui de nous qui n'a pas, dans ses jours d'ambition, rêvé le miracle d'une prose poétique, musicale sans rythme et sans rime, assez souple et assez heurtée pour s'adapter aux mouvements lyriques de l'âme, aux ondulations de la rêverie, aux soubresauts de la conscience...
Sayfa 173 - To grunt and sweate vnder this weary life, When that he may his full Quietus make With a bare bodkin, who would this indure, But for a hope of something after death? Which pusles the braine, and doth confound the sence. Which makes vs rather beare those euilles we haue. Than flic to others that we know not of. I that, O this conscience makes cowardes of vs all, Lady in thy orizons, be all my sinnes remembred.
Sayfa 135 - Volgiti, bella donna, e non ti porre »; Però che dentro un'altra donna siede La qual di signoria chiese la verga Tosto che giunse, e Amor glile diede.
Sayfa 142 - Il perso è un colore misto di purpureo e di nero, ma vince il nero...
Sayfa 9 - O qui dira les torts de la Rime! Quel enfant sourd ou quel nègre fou Nous a forgé ce bijou d'un sou Qui sonne creux et faux sous la lime?
Sayfa 11 - I will not make poems with reference to parts, But I will make poems, songs, thoughts, with reference to ensemble, And I will not sing with reference to a day, but with reference to all days, And I will not make a poem nor the least part of a poem but has reference to the soul...
Sayfa 9 - ... here, we feel the undulating deck beneath our feet, We feel the long pulsation, ebb and flow of endless motion, The tones of unseen mystery, the vague and vast suggestions of the briny world, the liquid-flowing syllables, The perfume, the faint creaking of the cordage, the melancholy rhythm, The boundless vista and the horizon far and dim are all here, And this is ocean's poem.
Sayfa 169 - Why, if thou canst but drawe thy mouth awrye, laye thy legg over thy staffe, sawe a peece of cheese asunder with thy dagger, lape up drinke on the earth, I warrant thee theile laughe mightilie.