The Way of the MakersMacmillan, 1925 - 316 sayfa |
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Algernon Charles Swinburne Anna Hempstead Branch artist beauty believe Ben Jonson brain Byron called consciousness Cowper critics dare delight desire divine doth dream earth Elizabeth Barrett Browning Emerson emotion eternal experience eyes fame feel fire genius give hand hate hath hear heart heaven human imagination immortal inspiration intellectual James Thomson John Keats labour Letters and Literary light lines Literary Remains live look LORENZO matter memory Milton mind mood Muse nature never night passion Percy Bysshe Shelley Perhaps pleasure poem poet poet's poetic poetry prose Remains of John rhyme Robert Burns Samuel Taylor Coleridge Seanchan Shakespeare sing sometimes song soul speak spirit subconscious sweet sympathy Tennyson thee theme things thou thought tion touch true truth verse vision voice Whitman wild William Blake William Butler Yeats words Wordsworth write Yeats
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Sayfa 102 - The primary Imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
Sayfa 9 - Lovers and madmen have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover and the poet Are of imagination all compact...
Sayfa 10 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven ; And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation, and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy ; Or, in the night, imagining some fear, How easy is a bush supposed a bear ! Hip.
Sayfa 45 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things ought himself to be a true poem ; that is, a composition and pattern of the best and honourablest things; not presuming to sing high praises of heroic men, or famous cities, unless he have in himself the experience and the practice of all that which is praiseworthy.
Sayfa 244 - TIGER! tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burned the fire of thine eyes?
Sayfa 120 - While yet a boy I sought for ghosts, and sped Through many a listening chamber, cave and ruin, And starlight wood, with fearful steps pursuing Hopes of high talk with the departed dead.
Sayfa 114 - And yet on the other hand, unless wariness be used, as good almost kill a man as kill a good book. Who kills a man, kills a reasonable creature — God's image ; but he who destroys a good book kills reason itself; kills the image of God, as it were, in the eye.
Sayfa 226 - I loved the man, and do honour his memory on this side idolatry as much as any. He was, indeed, honest, and of an open and free nature ; had an excellent phantasy, brave notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped.
Sayfa 194 - They are those in which the suffering finds no vent in action; in which a continuous state of mental distress is prolonged, unrelieved by incident, hope, or resistance; in which there is everything to be endured, nothing to be done. In such situations there is inevitably something morbid, in the description of them something monotonous. When they occur in actual life, they are painful, not tragic; the representation of them in poetry is painful also.
Sayfa 24 - Magnificent The morning rose, in memorable pomp, Glorious as e'er I had beheld — in front, The sea lay laughing at a distance; near, The solid mountains shone, bright as the clouds, Grain-tinctured, drenched in empyrean light; And in the meadows and the lower grounds Was all the sweetness of a common dawn — Dews, vapors, and the melody of birds, And laborers going forth to till the fields.