The Divine Comedy, III. Paradiso, Vol. III. Part 2: CommentaryPrinceton University Press, 7 Ara 2021 - 624 sayfa Continuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Paradiso. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy. |
Kitabın içinden
51 sonuçtan 1-5 arası sonuçlar
... passing through the sphere of fire which lies just below the sphere of the moon , but this seems unlikely , since the focus remains on the sun . Cf. vs. 82 , “ ' l grande lume . ” 62. quei che puote : God . 63. addorno adornato . 64-66 ...
... passes into that mode of vision which is possible through the special grace which she represents , which is a grace ... pass beyond the human . ” per verba : Latin for “ in words . " 71. poria potrebbe però perciò . essemplo esempio ...
... beginning with the moon , which he knows he must pass through in his upward journey to the Empyrean . Is Dante rising in his body or not ? See Par . II , 34-42 . This is a question that is never answered within the poem . 22 PARADISO.
... pass with their bodies through the spheres as they rise to the Empyrean . See Thomas Aquinas , Summa contra Gentiles IV , 87 , the conclusion of which is as follows : Neque etiam huic promissioni divinae impossibilitatem affert quod ...
... passing in these verses from the archery metaphor to that of art in the sense of giving shape to some object , as in the art of pottery , for example . Why is the potter's intention not always perfectly realized in the object he makes ...