An Inquiry Into the Authenticity of Various Pictures and Prints, which from the Decease of the Poet to Our Own Times, Have Been Offered to the Public as Portraits of Shakespeare: Containing a Careful Examination of the Evidence on which They Claim to be ReceivedR. Triphook, 1824 - 143 sayfa |
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Sayfa 58
... speare used to meet his cotemporary wits , could not possibly exist , and thinking himself the picture to be alienated before the fire , he absolutely seems to have imagined it possible , that the Flemish painting might have been ...
... speare used to meet his cotemporary wits , could not possibly exist , and thinking himself the picture to be alienated before the fire , he absolutely seems to have imagined it possible , that the Flemish painting might have been ...
Sayfa 59
... speare too , who had bestowed the very sign upon his house ! ) , might have been found , lotted with other garret lumber , in one comprehen- sive , but neglected heap of rubbish . But the learned authenticator did not stop here . Mr ...
... speare too , who had bestowed the very sign upon his house ! ) , might have been found , lotted with other garret lumber , in one comprehen- sive , but neglected heap of rubbish . But the learned authenticator did not stop here . Mr ...
Sayfa 63
... speare . Ditto . Two Noble Kinsmen , 1634 , by John Fletcher and William Shakspeare , Gent . The other quartos , the folios , the Sonnets , the Venus and Adonis , and Tarquin and Lucrece , all have the name - Shakespeare . So have all ...
... speare . Ditto . Two Noble Kinsmen , 1634 , by John Fletcher and William Shakspeare , Gent . The other quartos , the folios , the Sonnets , the Venus and Adonis , and Tarquin and Lucrece , all have the name - Shakespeare . So have all ...
Sayfa 64
... SPEARE Inn . With this suspicious docket upon the portrait , let us examine whether it could ever be Droeshout's original . The forehead is not only different in character , but the ablest artists have assured me , that Nature never ...
... SPEARE Inn . With this suspicious docket upon the portrait , let us examine whether it could ever be Droeshout's original . The forehead is not only different in character , but the ablest artists have assured me , that Nature never ...
Sayfa 67
... speare . Every thing was , during my youth , warranted HIM , that had a high forehead , little or no hair , and the slightest look of the known prints of him . I conceive then , that , at last , some fragment of an early portrait did ...
... speare . Every thing was , during my youth , warranted HIM , that had a high forehead , little or no hair , and the slightest look of the known prints of him . I conceive then , that , at last , some fragment of an early portrait did ...
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An Inquiry Into the Authenticity of Various Pictures and Prints, Which, from ... James Boaden Metin Parçacığı görünümü - 1975 |
Sık kullanılan terimler ve kelime öbekleri
alluded artist authenticity bard beard beautiful Ben Jonson bestowed Blackfriers Boar's Head bust canvass certainly Chandos head Chandos picture Chapman character colour Condell copy Cornelius Jansen countenance Davenant delight dramatic dress Droeshout Droeshout's print Dryden Earlom Eastcheap edition engraving exhibited expression eyes Falstaff fancy favourite Felton Felton head Fletcher folio forehead friendly admirer genius genuine George Chapman George Steevens Globe Theatre Gopsal hair hand head of Shakspeare Heminge Homer honour Jasper Mayne Jennens Jonson King Lear late LEONARD DIGGES letter Lord Malone Malone's Marshall Mayne mezzotinto monument Muse never original picture Ozias Humphry painted painter pannel passage perhaps person perusal plays poem poet poet's portrait of Shakspeare possession possessors present probably reader received resemblance residence ruff says Shak Shakspeare's shew Sir Thomas Clarges Soest Southampton speare Steevens Stratford style taste thing truth Venus and Adonis verses writings Zucchero
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Sayfa 48 - Being your slave, what should I do but tend Upon the hours and times of your desire ? I have no precious time at all to spend, Nor services to do, till you require. Nor dare I chide the world-without-end hour Whilst I, my sovereign, watch the clock for you, Nor think the bitterness of absence sour When you have bid your servant once adieu...
Sayfa 11 - TO THE READER. This Figure, that thou here seest put, It was for gentle Shakespeare cut ; Wherein the Graver had a strife With Nature, to out-doo the life: O, could he but have drawne his wit As well in brasse, as he hath hit His face ; the print would then surpasse All that was ever writ in brasse. But, since he cannot, Reader, looke Not on his Picture, but his Booke.
Sayfa 47 - I chide the world-without-end hour, Whilst I, my sovereign, watch the clock for you, Nor think the bitterness of absence sour, When you have bid your servant once adieu: Nor dare I question with my jealous thought, Where you may be , or your affairs suppose...
Sayfa 137 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Sayfa 89 - I can now excuse all his foibles ; impute them to age, and to distress of circumstances : the last of these considerations wrings my very soul to think on. For a man of high spirit, conscious of having, at least in one production, generally pleased the world, to be plagued and threatened by wretches that are low in every sense ; to be forced to drink himself into pains of •William. VOL. 9 — 99 337 the body, in order to get rid of the pains of the mind, is a misery.
Sayfa 31 - Shakespeare, thy gift, I place before my sight ; With awe, I ask his blessing ere I write ; With reverence look on his majestic face; Proud to be less, but of his godlike race.
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Sayfa 55 - The fire having continued all this night (if I may call that night which was light as day for ten miles round about, after a dreadful manner) when conspiring with a fierce...