Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical and Renaissance ComedyMethuen, 1985 - 153 sayfa In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem lifelike or realistic. |
Kitabın içinden
32 sonuçtan 1-3 arası sonuçlar
Sayfa 3
... readers of Shakespeare have long recognized the important role our sense of a character's inner life plays in ... reader and audience . Wolfgang Clemen has analyzed the features and role of tragic soliloquies in the larger dramatic ...
... readers of Shakespeare have long recognized the important role our sense of a character's inner life plays in ... reader and audience . Wolfgang Clemen has analyzed the features and role of tragic soliloquies in the larger dramatic ...
Sayfa 18
... readers would agree that character , rather than idea or abstraction , arrests the reader's or spectator's attention . Our response to the play's ambivalence derives as much from our responses to character as from logical arguments for ...
... readers would agree that character , rather than idea or abstraction , arrests the reader's or spectator's attention . Our response to the play's ambivalence derives as much from our responses to character as from logical arguments for ...
Sayfa 109
... readers of Much Ado About Nothing have remarked that its tragicomic pattern sets it apart from Shakespeare's other romantic plays and links it with the so - called problem comedies . I want to turn finally to Much Ado because it brings ...
... readers of Much Ado About Nothing have remarked that its tragicomic pattern sets it apart from Shakespeare's other romantic plays and links it with the so - called problem comedies . I want to turn finally to Much Ado because it brings ...
Diğer baskılar - Tümünü görüntüle
Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical ... Karen Newman Sınırlı önizleme - 2005 |
Sık kullanılan terimler ve kelime öbekleri
action Angelo Angelo's soliloquy Antipholus of Syracuse Arden edition argues audience Beatrice behavior Benedick Berowne Cesario characterization Charisios claim Claudio Comedy of Errors comic characters comic plots comic soliloquy complex conventions courtly creating critics decorum discovery disguise dramatic dramatists Drusilla Duke Duke's E. M. W. Tillyard Elizabethan emphasize essay Evanthius example features of dialogue fiction Flamminio Gl'Ingannati Hamlet Hero imagined inner debate intrigue Isabella Italian comedy Knemon language Lelia lifelike lines linguistic London Love's Labour's Lost lovers Luciana Lucrezio M. C. Bradbrook Malvolio marriage Measure for Measure Menander Menander's metaphor mind mistaken identity mistaken identity plot monologue Olivia person Plautine Plautus play play's problem comedies pronouns prosopopoeia Pseudolus psychological recognized represent rhetoric of consciousness rhetorical questions role romance Rosalind Salingar scene self-address sense set speeches sexual Shakespeare Shakespeare Survey soliloquy Sosia suggests Terence Terence's theme thou tradition tragedy trans Twelfth Night Viola words