The Seduction of the Mediterranean: Writing, Art and Homosexual FantasyRoutledge, 11 Eyl 2002 - 288 sayfa Through an explanation of forty figures in European culture, ^The Seduction of the Mediterranean argues that the Mediterranean, classical and contemporary, was the central theme in homoerotic writing and art from the 1750s to the 1950s. Episodes of exile, murder, drug-taking, wild homosexual orgies and court cases are woven into an original study of a significant theme in European culture. The myth of a homoerotic Mediterranean made a major contribution to general attitudes towards Antiquity, the Renaissance and modern Italy and Greece. |
Diğer baskılar - Tümünü görüntüle
The Seduction of the Mediterranean: Writing, Art and Homosexual Fantasy Robert Aldrich Sınırlı önizleme - 2002 |
The Seduction of the Mediterranean: Writing, Art and Homosexual Fantasy Robert Aldrich Sınırlı önizleme - 1993 |
Sık kullanılan terimler ve kelime öbekleri
AdelswärdFersen aesthetic Alcibiades ancient andhis andthe Antinous Antiquity Arcangeli artistic Aschenbach aswell atthe attracted beauty behaviour boys Byron Camus Capri century classical contemporary cultural death emotional English ephebes eromenos erotic European expatriate Fernandez figures foreigners friendship Ganymede German gondolier Greece Greek love Hadrian handsome heterosexual homoerotic homoerotic Mediterranean homosexual desire Ibid images inhis inspiration interest inthe Italian Italy John Addington Symonds Krupp later literature London lover male Mann Mann’s Marées Mediterranean Michelangelo models modern myth naked Naples northern novel nude ofhis ofhomosexual ofthe onthe paintings Paris partners passion Pater Patroclus pederasty photographs Platen poems poet poetry portrayed published Quoted references relationship Renaissance Robert Aldrich Roman Rome sensual sexual social Socrates sodomy South statues story Symonds Tadzio Taormina themes Theocritus tothe Ulrichs Venice Visconti Wilhelm von Gloeden Winckelmann witha withthe women writers wrote young youth