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according acquired adapted afford animals appear applied arise artist ascer asso association of ideas become body buildings called chap character charms colour composition consequently degree delight display distinct duated effect elegance employed equally excite expression feeling felt forms gratification Grecian Greek habit Iliad imagination imitation impressions instances intercolumniations irregular irritation kind language less light and shadow mankind means melody ment mental sympathies merely metre mind modes nations nature never nevertheless objects observed organs of sense pain painters painting Paradise Lost passions pathy perceived Perception perfect person picturesque Pietro Testa Pindar pleasing pleasure poet poetry polished languages principle produced proportion prosody qualities quantity racter Rembrandt laughed scenery sculpture sensation sensibility sensual sentiments sexual sight Sir Joshua Reynolds smooth sound species style Sublime and Beautiful syllables taste temple of Vesta thing tints tion Titian tone touch turally ture variety verse visible whence wherefore
Sayfa 357 - Above them all the archangel: but his face Deep scars of thunder had intrench'd; and care Sat on his faded cheek; but under brows .Of dauntless courage, and considerate pride Waiting revenge; cruel his eye, but cast Signs of remorse and passion, to behold The fellows of his crime, the followers rather (Far other once beheld in bliss,) condemn'd For ever now to have their lot in pain...
Sayfa 352 - Be innocent of the knowledge , dearest chuck , Till thou applaud the deed. — Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale!
Sayfa 245 - THAT HE HAD A HEAD TO CONTRIVE, A TONGUE TO PERSUADE, AND A HAND TO EXECUTE ANY MISCHIEF.
Sayfa 395 - Mighty victor, mighty lord, Low on his funeral couch he lies! No pitying heart, no eye, afford A tear to grace his obsequies.
Sayfa 9 - I do not know whether I am singular in my opinion: but for my own part, I would rather look upon a tree in all its luxuriancy and diffusion of boughs and branches, than when it is thus cut and trimmed into a mathematical figure; and can not but fancy, that an orchard in flower looks infinitely more delightful than all the little labyrinths of the most finished parterre.
Sayfa 397 - Looks through the horizontal misty air Shorn of his beams; or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Sayfa 395 - Give ample room, and verge enough The characters of hell to* trace. Mark the year, and mark the night, When Severn shall re-echo with affright The shrieks of death, thro...
Sayfa 369 - When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances, and with certain modifications, they may be, and they are delightful, as we every day experience.
Sayfa 395 - Fair laughs the Morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes: Youth on the prow, and Pleasure at the helm: Regardless of the sweeping whirlwind's sway, That hush'd in grim repose expects his evening prey.