Notes to Make the Sound Come Right: Four Innovators of Jazz PoetryUniversity of Arkansas Press, 1 Tem 2004 - 217 sayfa In “When Malindy Sings” the great African American poet Paul Laurence Dunbar writes about the power of African American music, the “notes to make the sound come right.” In this book T. J. Anderson III, son of the brilliant composer, Thomas Anderson Jr., asserts that jazz became in the twentieth century not only a way of revising old musical forms, such as the spiritual and work song, but also a way of examining the African American social and cultural experience. He traces the growing history of jazz poetry and examines the work of four innovative and critically acclaimed African American poets whose work is informed by a jazz aesthetic: Stephen Jonas (1925?–1970) and the unjustly overlooked Bob Kaufman (1925–1986), who have affinities with Beat poetry; Jayne Cortez (1936– ), whose work is rooted in surrealism; and the difficult and demanding Nathaniel Mackey (1947– ), who has links to the language writers. Each fashioned a significant and vibrant body of work that employs several of the key elements of jazz. Anderson shows that through their use of complex musical and narrative weaves these poets incorporate both the tonal and performative structures of jazz and create work that articulates the African journey. From improvisation to polyrhythm, they crafted a unique poetics that expresses a profound debt to African American culture, one that highlights the crucial connection between music and literary production and links them to such contemporary writers as Michael Harper, Amiri Baraka, and Yusef Komunyakaa, as well as young recording artists—United Future Organization, Us3, and Groove Collection—who have successfully merged hip-hop poetry and jazz. |
İçindekiler
Chapter 1 The Jazz Impulse in Poetry | 1 |
A Historical Overview of Jazz Poetry | 25 |
Bob Kaufmans Golden Sardine | 67 |
Stephen Jonass Exercises for Ear | 97 |
Jayne Cortez and the Music of Illumination | 119 |
Nathaniel Mackeys Musical Weave | 145 |
The Mixtery of Jazz Poetry | 173 |
Notes | 185 |
195 | |
203 | |
205 | |
Diğer baskılar - Tümünü görüntüle
Notes to Make the Sound Come Right: Four Innovators of Jazz Poetry T.J. Anderson III Sınırlı önizleme - 2004 |
Notes to Make the Sound Come Right: Four Innovators of Jazz Poetry T. J. Anderson Sınırlı önizleme - 2004 |
Notes to Make the Sound Come Right: Four Innovators of Jazz Poetry T. J. Anderson Metin Parçacığı görünümü - 2004 |
Sık kullanılan terimler ve kelime öbekleri
Additionally aesthetic African American African American culture African American music alliteration alludes anthology appear artists Basie beat bebop becomes begins blues body cadence close collection Coltrane comes complex connection continual Cortez creates critical defining demonstrates describes discussion drum elements emphasizes employed established evoke examine example expressed further Gunther Schuller historical Hughes ideas implies important improvisation included indicate influenced innovative interesting jazz music jazz poetry John Jonas Jonas’s Kaufman language later listening literary literature Mackey Mackey’s manner means movement musicians narrative notes occurs opening origins particularly performance perhaps phrase piece played poem poetic poets political popular practice Press provides published qualities reader recording reference remarked rhythm rhythmic role shows significant similar singing solo song sound spiritual strophe thing tion tonal tradition University various viewed voice writes written York