The Sounds of Milan, 1585-1650Oxford University Press, 21 Kas 2002 - 552 sayfa In this book, a follow-up to his 1996 monograph Celestial Sirens, Robert Kendrick examines the cultural contexts of music in early-modern Milan. This book describes the churches and palaces that served as performance spaces in Milan, analyzes the power structures in the city, discusses the devotional rites of the Milanese, and explores the connections among city politics, city-scape, and music. |
İçindekiler
ATTITUDES AND ACTIONS | 89 |
MUSICAL EXPRESSIONS | 193 |
Documents | 379 |
Appendixes | 397 |
Notes | 409 |
501 | |
515 | |
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alleluia Ambrogio Ambrosian Ambrosian rite anthology antiphon Ardemanio Arnone ASDM ASMpSC AVFD bass Borromeo canons Cantone’s cantori cantus cantus firmus canzona canzonettas Carlo cathedral cathedral’s Celestial Sirens Celso Cesare chant chapel chiesa choirs choro church Cima Cima’s city’s composers concertato concerto contrafact decade dedication Deus Domine Donati ducal Duomo Duomo di Milano editions eight-voice ensemble evident example falsobordone feast Federico Borromeo Federigo five-voice Francesco Gabussi genre Ghizzolo Giovanni Grancini hymn ibid in-gre-de included Lambrugo litanies liturgical Lomazzo Lucernarium Lucino madrigals Magnificat Maria presso Mass Messa Milan Milanese Morigia motet book motets musicians Nantermi noted nunc œ J œ œ œ œ organist Pellegrini pieces polychoral polyphony Pontificalia Porta Posthymn primo printed procession psalms published quali quam repertory Rognoni Roman sacred saint sanctoral Scala seems Seicento singers solo soprano sung tono tradition Turati urban Vecchi Vespers voices