Italian Cinema and Modern European Literatures: 1945-2000Bloomsbury Academic, 30 Mar 2002 - 288 sayfa The history of cinema, and notably that of post-war Italian cinema, can only be understood adequately in the context of other contiguous cultural disciplines. World literature, including that of France, Germany, and Russia, played a key role in the development of post-war Italian film and the cinematic technique it has come to embody. Moving away from the usual modes of defining this period—a trajectory that begins with neorealism and ends with Bertolucci—author Carlo Testa offers proof that coming to terms with literary texts is an essential step toward understanding the motion pictures they influenced. |
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... Strogoff ( Michele Strogoff , 1956 ) should stand out from the following account . The Tartars are , literally , up in arms against the czarist empire : they are putting Siberia to fire and sword , and — thorough rebels that they are ...
... Strogoff . Evry : Editions Carrefour , 1998 . Michael Strogoff : The Courier of the Czar . In his Works . Ed . Charles F. Horne . Vol . 8. New York and London : Vincent Parke , 1911. Pp . 143–396 . German Area Brecht Brecht , Bertolt ...
... Strogoff ( Michel Strogoff , 1876 ) , 19 , 25 n.32 Vigny , Alfred de : Chatterton ( 1835 ) , 20 Virzì , Paolo : The Good Life ( La bella vita , 1994 ) , 148 ; Summer Vacations ( Ferie d'agosto , 1996 ) , 148 ; Ovosodo ( 1997 ) , 148 ...
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