Italian Cinema and Modern European Literatures: 1945-2000Bloomsbury Academic, 30 Mar 2002 - 288 sayfa The history of cinema, and notably that of post-war Italian cinema, can only be understood adequately in the context of other contiguous cultural disciplines. World literature, including that of France, Germany, and Russia, played a key role in the development of post-war Italian film and the cinematic technique it has come to embody. Moving away from the usual modes of defining this period—a trajectory that begins with neorealism and ends with Bertolucci—author Carlo Testa offers proof that coming to terms with literary texts is an essential step toward understanding the motion pictures they influenced. |
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... Teorema an almost unclassifiable originality : Nelo Risi's Diary of a Schizo- phrenic Girl ( Diario di una schizofrenica , 1968 ) . In another uncanny " double " from that year , a pathological turn similar to that taken by Odetta in ...
... Teorema ( 1968 ) , from Tolstoy and Rimbaud . German now in effect fills the earlier times ' gap , with three re - creations to its credit : Bellocchio's In the Name of the Father ( 1971 ) , from Faustian legends by various authors ...
... Teorema , pp . 25-27 . 23. Publications on Pasolini are almost countless ( and growing ) , but the following items on Teorema are reasonably complementary representatives of diverse trends : Ales- sandro Cappabianca , Il cinema e il ...
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