Italian Cinema and Modern European Literatures: 1945-2000Bloomsbury Academic, 30 Mar 2002 - 288 sayfa The history of cinema, and notably that of post-war Italian cinema, can only be understood adequately in the context of other contiguous cultural disciplines. World literature, including that of France, Germany, and Russia, played a key role in the development of post-war Italian film and the cinematic technique it has come to embody. Moving away from the usual modes of defining this period—a trajectory that begins with neorealism and ends with Bertolucci—author Carlo Testa offers proof that coming to terms with literary texts is an essential step toward understanding the motion pictures they influenced. |
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... artistic affinities operate in a dialectical relationship with historical circumstances — indeed , are comprehensible only within the broader historical contexts in which they occur.16 It is comforting to see that this theoretical ...
... artistic - or , to put the matter more precisely , artistico- commercial - pattern . ' It is certainly curious to note how nonchalantly the cultural heritage of a supposedly enemy nation such as Russia could be appropriated first by the ...
... artistic persona . Having written or directed a number of successful commedie all'italiana during the 1960s , at the turn of the decade Scola began to get in- volved in more complex filmmaking . Without altogether losing his earlier ...
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The Cold War 194556 | 1 |
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