Vita Nuova, 2. ciltIndiana University Press, 1973 - 210 sayfa A text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse. Referred to by Dante as his libello, or "little book", The New Life is the first of two collections of verse written by Dante in his life. La Vita Nuova is a prosimetrum, a piece containing both verse and prose, in the vein of Boethius' Consolation of Philosophy. Dante used each prosimetrum as a means for combining poems written over periods of roughly ten years - La Vita Nuova contains his works from before 1283 to roughly 1293. The collection and its style fit in with the movement called Dolce Stil Novo. The prose creates the illusion of narrative continuity between the poems; it is Dante's way of reconstructing himself and his art in terms of his evolving sense of the limitations of courtly love (the system of ritualized love and art that Dante and his poet-friends inherited from the Provençal poets, the Sicilian poets of the court of Frederick II, and the Tuscan poets before them). Sometime in his twenties, Dante decided to try to write love poetry that was less centered on the self and more aimed at love as such: he intended to elevate courtly love poetry, many of its tropes and its language, into sacred love poetry. Beatrice for Dante was the embodiment of this kind of love - transparent to the Absolute, inspiring the integration of desire aroused by beauty with the longing of the soul for divine splendor. |
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59 sonuçtan 1-3 arası sonuçlar
Sayfa 63
... speak of her ; in the third I sadly address the canzone itself . The second part begins : Beatrice has gone , the third : Now go your way . The first part divides further into three : in the first I say why I am moved to speak ; in the ...
... speak of her ; in the third I sadly address the canzone itself . The second part begins : Beatrice has gone , the third : Now go your way . The first part divides further into three : in the first I say why I am moved to speak ; in the ...
Sayfa 64
... speak about my lady when she was alive , addressing , gracious ladies , you alone , I will not speak to others , but only to a lady's tender heart . My words will be a dirge , for they tell how she suddenly ascended into Heaven , and ...
... speak about my lady when she was alive , addressing , gracious ladies , you alone , I will not speak to others , but only to a lady's tender heart . My words will be a dirge , for they tell how she suddenly ascended into Heaven , and ...
Sayfa 184
... speak and we see him gaze upon Beatrice , but he does not speak to the protagonist and no moment in time is fixed . In the first sonnet of Chapter VIII Love weeps and looks up toward Heaven , but he does not speak , and again the ...
... speak and we see him gaze upon Beatrice , but he does not speak to the protagonist and no moment in time is fixed . In the first sonnet of Chapter VIII Love weeps and looks up toward Heaven , but he does not speak , and again the ...
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Amore anguish appealing to Pity appearance Aspect of Love ballata Beatrice's death beauty ben lui bliss called canzone ch'io Chapter XII ché ciel cielo ciò color core Dante Dante the author Dante's death of Beatrice decided to write described desire Divine Comedy divisioni donna Donne ch'avete intelletto eyes feelings figure of Love Florence gentil glory glossator gracious lady Greater Aspect greeting grief hear heart Heaven inspired lady's Latin Lesser Aspect look madonna meco mente miraculous narrative occhi offers parea parole piangendo pianger pietà pilgrims pity poet poetry Proem prose protagonist Provençal quale quatrains reader reason screen-lady scribe second I tell second part begins seemed sighs significance simulacra Singleton sonnet which begins sospiri soul speak spirit stanza sweet tears tercets theme thinking third thought tion vede vedea veder vertute vision Vita nuova weep words written wrote this sonnet XXIV young lover