Bruckner: Symphony No. 8Cambridge University Press, 30 Mar 2000 - 133 sayfa Anton Bruckner's Eighth Symphony (1890), one of the last of the great Romantic symphonies, is a grandly complex masterpiece. This book explores this many-faceted work from several angles. It documents the complicated and often misunderstood history of the symphony's composition and revision and provides an accessible guide to its musical design. It demonstrates, by means of a study of well-known recordings, how performance styles have evolved in this century. It also revisits the conventional wisdom about the various versions and editions of the symphony and comes to some provocative new conclusions. |
İçindekiler
Placing the Eighth Symphony | 3 |
The genesis and evolution of the Eighth Symphony | 10 |
The musical design and symphonic agenda of the Eighth | 27 |
The Adagio and the sublime | 54 |
The 1887 version and the 1890 version | 68 |
The 1892 edition authorship and performance practice | 86 |
Haass edition of the Eighth Symphony | 104 |
Textual differences between The Finale in the 1890 version and the 1892 edition | 107 |
Notes | 111 |
| 129 | |
| 132 | |
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A-Wn Mus Adagio added aesthetic Anton Bruckner Anton Bruckner Sämtliche bars begins Berlin Brahms brass Briefe Bruck Bruckner Problem Bruckner Sämtliche Werke Bruckner's Eighth Symphony Bruckner's music Bruckner's revisions Bruckner's symphonies Brüder Schalk cadential century chord chromatic coda composition concert conductors contrast cresc critical Dahlhaus December dominant dynamics Eduard Hanslick Eighth Symphony Ernst Kurth Example exposition Feierlich Finale Floros Fourth Symphony Franz Schalk Furtwängler genre Göllerich and Auer Gräflinger Grasberger Haas's edition harmonic horns Korstvedt Kurth langsamer later Laurence Dreyfus Leopold Nowak letter Levi Levi's Linz main theme major Manfred Wagner Max Auer ment minor monic motive move movement Munich Nowak Oberleithner opening theme orchestration passage performance phony published recapitulation reprise revised version Schalk und Anton Scherzo second thematic group Seventh Symphony strings sublime tempi tempo third timpani tion tonal tonic key trans triad Trio trumpets Vienna Philharmonic Wagner tubas Weingartner woodwinds wrote
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Sayfa x - Fellowship from the National Endowment for the Humanities, for which I am grateful.