The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 sayfa V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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39 sonuçtan 1-3 arası sonuçlar
Sayfa 23
... Italians had elevated Neoplatonism to a synthetic religion , which reached England through such books as Castiglione's Courtier ( 1528 ; Hoby's translation , 1561 ) ; and Ascham , who detested Italy , made an exception of Castiglione ...
... Italians had elevated Neoplatonism to a synthetic religion , which reached England through such books as Castiglione's Courtier ( 1528 ; Hoby's translation , 1561 ) ; and Ascham , who detested Italy , made an exception of Castiglione ...
Sayfa 180
... Italians in that he wanted the lyricism of the musical line to be convincing in itself . In both Italy and France these experiments in the mating of words and music combined with the progressive elements which we have referred to in the ...
... Italians in that he wanted the lyricism of the musical line to be convincing in itself . In both Italy and France these experiments in the mating of words and music combined with the progressive elements which we have referred to in the ...
Sayfa 197
... Italy , especially by Jacopo Sannazaro in his series of verse dialogues connected by prose narrative , called ... Italian , and Spanish elements , Sidney added his own fervent moral zeal and his highly polished poetic style . He is ...
... Italy , especially by Jacopo Sannazaro in his series of verse dialogues connected by prose narrative , called ... Italian , and Spanish elements , Sidney added his own fervent moral zeal and his highly polished poetic style . He is ...
Sık kullanılan terimler ve kelime öbekleri
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York