The Last Man

Ön Kapak
Broadview Press, 11 Eyl 1996 - 425 sayfa

Mary Shelley’s third published novel, The Last Man, is a disillusioned vision of the end of civilization, set in the twenty-first century. The book offers a sweeping account of war, plague, love, and desolation. It is the sort of apocalyptic vision that was widespread at the time, though Shelley’s treatment of the theme goes beyond the conventional; it is extraordinarily interesting and deeply moving.

If The Last Man is in some sense a “conventional” text of the period, it is also intensely personal in its origin; Shelley refers in her journal to the last man as her alter ego, “the last relic of a beloved race, my companions extinct before me.” The novel thus develops out of and contributes to a network of story and idea in which fantasy, allusion, convention, and autobiography are densely interwoven.

This new version of the first edition (1826) sets out to provide not only a thoroughly annotated text, but also contextual materials to help the reader acquire knowledge of the intellectual and literary milieu out of which the novel emerged. Appendices include material on “the last man” as early nineteenth-century hero, texts from the debate initiated by Malthus in 1798 about the adequacy of food supply to sustain human population, various accounts of outbreaks of plague, and Shelley’s poems representing her feelings after the death of her husband.

 

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İçindekiler

The Web of Mind
1
Map of Lionel Verneys World
368
Thomas Hood from The Last Man 1826
374
Versions of Plague
383
John Wilson from The City of the Plague 1816
390
William Godwin from Political Justice 1793
396
Percy Bysshe Shelley from Preface to The Revolt of Islam
402
On Reading Wordsworths Lines on Peel Castle
409
Postscript
415
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Yazar hakkında (1996)

Anne McWhir is a Professor in the English Department at the University of Calgary, and a specialist in late eighteenth-century and early nineteenth-century fiction.

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