Some Account of the English Stage: From the Restoration in 1660 to 1830, 8. ciltH.E. Carrington, 1832 |
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95 sonuçtan 1-5 arası sonuçlar
Sayfa 7
... poor Edward Bohun . Scene 2d . " See , the King , " is from the prompt- book of 1773 - there is no particular harm in such little additions to the original text , but why make them ? Enter Wolsey and Campeius with a commission . Burnet ...
... poor Edward Bohun . Scene 2d . " See , the King , " is from the prompt- book of 1773 - there is no particular harm in such little additions to the original text , but why make them ? Enter Wolsey and Campeius with a commission . Burnet ...
Sayfa 13
... poor men - the number denoted that he was then 59 years of age * -it was in his last discourse , as he lay on his death- bed , that he said the words which have been so often quoted " if I had served God , as diligently as I " have done ...
... poor men - the number denoted that he was then 59 years of age * -it was in his last discourse , as he lay on his death- bed , that he said the words which have been so often quoted " if I had served God , as diligently as I " have done ...
Sayfa 18
... Poor Gentleman . 30. Fontainbleau , and Will for the Deed . June 2. Blanchard acted Gen. Tarragon . = = 3. Brandon's bt . Jane Shore . Dumont Murray : with Flitch of Bacon . Tipple Fawcett , 1st time : Major Benbow = Munden , 1st time ...
... Poor Gentleman . 30. Fontainbleau , and Will for the Deed . June 2. Blanchard acted Gen. Tarragon . = = 3. Brandon's bt . Jane Shore . Dumont Murray : with Flitch of Bacon . Tipple Fawcett , 1st time : Major Benbow = Munden , 1st time ...
Sayfa 21
... Locksmiths . Capt . Beldare = Rae . 21. Poor Gentleman . Frederick Rae : Sir Robert Bramble = Mathews : -with Tom Thumb . King Arthur Fawcett , 1st time . 23. Iron Chest . 1st time Sir Edward Mortimer Rae HAY . 1806 . 21.
... Locksmiths . Capt . Beldare = Rae . 21. Poor Gentleman . Frederick Rae : Sir Robert Bramble = Mathews : -with Tom Thumb . King Arthur Fawcett , 1st time . 23. Iron Chest . 1st time Sir Edward Mortimer Rae HAY . 1806 . 21.
Sayfa 23
... poor piece -Mrs . Lessingham , the actress , is said to have built a house on Hampstead Heath between sunset and sunrise - Dibdin has introduced this circum- stance he calls it a beautiful cottage , and says that it is still in ...
... poor piece -Mrs . Lessingham , the actress , is said to have built a house on Hampstead Heath between sunset and sunrise - Dibdin has introduced this circum- stance he calls it a beautiful cottage , and says that it is still in ...
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Sık kullanılan terimler ve kelime öbekleri
1st app 3d act 4th act Abbott alteration Bannister Baron Barrymore Bartley Bath Bengough Betty Beverley Blanchard Booth Capt Castle character Charles Chatterley Conway Cooke Coriolanus Count daughter Davenport Davison Dowton Duke Egerton Elliston Emery Emily Falstaff Farce father Fawcett Gibbs Glover Hamlet Harley Henry 4th Honey Moon Iago Isabella Jane Shore John Johnston Jones Jordan Julia Juliet Julius Cæsar Kean Kemble acted King Lady Macbeth Liston Lord Lovegrove Macready marry Mathews Merchant of Venice Miss Brunton Miss Duncan Miss Foote Miss Jameson Miss Kelly Miss Norton Miss O'Neill Miss Smith Munden Murray Never acted night Opera Orger Othello Oxberry Penley piece Pizarro play Pope Powell printed Queen revived Richard 3d Romeo Romeo and Juliet says scene lies School for Scandal servant Shakspeare Siddons acted Simmons stage Stanley Terry theatre times-the Tokely Wallack Warde Weston wife Wrench written Wroughton Young
Popüler pasajlar
Sayfa 229 - The truth is that the spectators are always in their senses and know from the first act to the last that the stage is only a stage and that the players are only players.
Sayfa 13 - Well, well, Master Kingston," quoth he, "I see the matter against me how it is framed; but if I had served God as diligently as I have done the king, he would not have given me over in my grey hairs.
Sayfa 229 - He that without diminution of any other excellence shall preserve all the unities unbroken, deserves the like applause with the architect who shall display all the orders of architecture in a citadel without any deduction from its strength. But the principal beauty of a citadel is to exclude the enemy, and the greatest graces of a play are to copy nature and instruct life.
Sayfa 578 - I remember the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out a line. My answer hath been, " Would he had blotted a thousand," which they thought a malevolent speech.
Sayfa 577 - Soul of the age! The applause! delight! the wonder of our stage! My Shakespeare rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie...
Sayfa 397 - I have stood firm for the corps, into which I enrolled myself, and never disgraced my colours by abandoning the cause of the legitimate comedy, to whose service I am sworn, and in whose defence I have kept the field for nearly half a century...
Sayfa 228 - To the unities of time and place he has shown no regard, and perhaps a nearer view of the principles on which they stand will diminish their value and withdraw from them the veneration which, from the time of Corneille, they have very generally received, by discovering that they have given more trouble to the poet than pleasure to the auditor.
Sayfa 265 - I danced forward ; but it struck home, and here, and in an instant. Be such mere women, who with shrieks and outcries can vow a present end to all their sorrows: yet live to court new pleasures, and outlive them. They are the silent griefs which cut the heartstrings; let me die smiling.
Sayfa 572 - The New Inn: or, the Light Heart, a Comedy. As it was never Acted, but most negligently Played by some, the KING'S SERVANTS; and more squeamishly beheld and censur'd by others, the KING'S SUBJECTS, 1629.
Sayfa 229 - Time is, of all modes of existence, most obsequious to the imagination ; a lapse of years is as easily conceived as a passage of hours. In contemplation we easily contract the time of real actions, and therefore willingly permit it to be contracted when we only see their imitation.