The Myths of Plato; Tr., with Introductory and Other Observations, by J.A. StewartMacmillan and Company, limited, 1905 - 532 sayfa |
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Sayfa 7
... Nature in this case , as in all other cases , does nothing that is superfluous - ovdèv Toleî πεрíерyov ovde μáτηv ý þúσis . If make - believe serve Nature's περίεργον οὐδὲ μάτην φύσις . " purpose as well as belief , which is more ...
... Nature in this case , as in all other cases , does nothing that is superfluous - ovdèv Toleî πεрíерyov ovde μáτηv ý þúσis . If make - believe serve Nature's περίεργον οὐδὲ μάτην φύσις . " purpose as well as belief , which is more ...
Sayfa 21
... nature which is not articulate and logical , but feels , and wills , and acts - to that part which cannot explain ... nature . At that depth man is more at one with Universal Nature - more in her secret , as it were -than he is at the ...
... nature which is not articulate and logical , but feels , and wills , and acts - to that part which cannot explain ... nature . At that depth man is more at one with Universal Nature - more in her secret , as it were -than he is at the ...
Sayfa 22
Plato. 22 degrees , by Nature herself , without the aid of literary or other art . The sense of " might , majesty and ... natural experiences which closely resemble the effect produced in the reader's mind by Plato's art . When these ...
Plato. 22 degrees , by Nature herself , without the aid of literary or other art . The sense of " might , majesty and ... natural experiences which closely resemble the effect produced in the reader's mind by Plato's art . When these ...
Sayfa 25
... Nature was most solitary , see ! some one is present ! The nightingale , up - perched high , And cloister'd among cool and bunched leaves- She sings but to her love , nor e'er conceives How tiptoe Night holds back her dark - grey hood ...
... Nature was most solitary , see ! some one is present ! The nightingale , up - perched high , And cloister'd among cool and bunched leaves- She sings but to her love , nor e'er conceives How tiptoe Night holds back her dark - grey hood ...
Sayfa 35
... Nature herself without the aid of any art , and by events as they happen in one's life , and , above all , by scenes and situations and persons remembered out of the days of childhood and youth . " We are always dreaming , " Renan ( I ...
... Nature herself without the aid of any art , and by events as they happen in one's life , and , above all , by scenes and situations and persons remembered out of the days of childhood and youth . " We are always dreaming , " Renan ( I ...
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Sayfa 29 - He is made one with Nature : there is heard His voice in all her music, from the moan Of thunder, to the song of night's sweet bird ; He is a presence to be felt and known In darkness and in light, from herb and stone, Spreading itself where'er that Power may move Which has withdrawn his being to its own ; Which wields the world with never wearied love, Sustains it from beneath, and kindles it above.
Sayfa 29 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again; From the contagion of the world's slow stain He is secure, and now can never mourn A heart grown cold, a head grown grey in vain; Nor, when the spirit's self has ceased to burn, With sparkless ashes load an unlamented urn.
Sayfa 237 - For this Agar is mount Sinai in Arabia, and answereth to Jerusalem which now is, and is in bondage with her children. But Jerusalem which is above is free, which is the mother of us all.
Sayfa 29 - Peace, peace! he is not dead, he doth not sleep — He hath awakened from the dream of life — 'Tis we, who lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance, strike with our spirit's knife Invulnerable nothings.
Sayfa 237 - But he who was of the bondwoman was born after the flesh ; but he of the freewoman was by promise. Which things are an allegory: for these are the two covenants; the one from the mount Sinai, which gendereth to bondage, which is Agar.
Sayfa 32 - Then with the knowledge of death as walking one side of me, And the thought of death close-walking the other side of me, And I in the middle as with companions, and as holding the hands of companions, I fled forth to the hiding receiving night that talks not, Down to the shores of the water, the path by the swamp in the dimness, To the solemn shadowy cedars and ghostly pines so still.
Sayfa 30 - WHEN lilacs last in the dooryard bloom'd, And the great star early droop'd in the western sky in the night, I mourn'd, and yet shall mourn with ever-returning spring.
Sayfa 31 - Passing the yellow-spear'd wheat, every grain from its shroud in the dark-brown fields uprisen, Passing the apple-tree blows of white and pink in the orchards, Carrying a corpse to where it shall rest in the grave, Night and day journeys a coffin.
Sayfa 390 - Poetry" (though against my own judgment) as opposed to the word Prose, and synonymous with metrical composition. But much confusion has been introduced into criticism by this contradistinction of Poetry and Prose, instead of the more philosophical one of Poetry and Matter of Fact, or Science.
Sayfa 30 - And many more, whose names on earth are dark, But whose transmitted effluence cannot die So long as fire outlives the parent spark, Rose, robed in dazzling immortality. 'Thou art become as one of us...