The Myths of Plato; Tr., with Introductory and Other Observations, by J.A. StewartMacmillan and Company, limited, 1905 - 532 sayfa |
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Sayfa ix
... philosophical question raised and solved in the Myth , How to reconcile " Free Will " with the " Reign of Law " · 169-172 THE POLITICUS MYTH Introductory Remarks 173-174 Context . 175 Translation 177-191 Translation of the Myth of the ...
... philosophical question raised and solved in the Myth , How to reconcile " Free Will " with the " Reign of Law " · 169-172 THE POLITICUS MYTH Introductory Remarks 173-174 Context . 175 Translation 177-191 Translation of the Myth of the ...
Sayfa xi
... philosophical and religious thought down to Dante 350-381 • 6. Poetic Inspiration 382-395 THE TWO SYMPOSIUM MYTHS Context of the Myths 397 I. THE MYTH TOLD BY ARISTOPHANES Translation 399-407 GENERAL OBSERVATIONS ON THE MYTH and ...
... philosophical and religious thought down to Dante 350-381 • 6. Poetic Inspiration 382-395 THE TWO SYMPOSIUM MYTHS Context of the Myths 397 I. THE MYTH TOLD BY ARISTOPHANES Translation 399-407 GENERAL OBSERVATIONS ON THE MYTH and ...
Sayfa 1
... philosophical style . The Myth is a fanciful tale , sometimes traditional , some- times newly invented , with which Socrates or some other interlocutor interrupts or concludes the argumentative conversa- tion in which the movement of ...
... philosophical style . The Myth is a fanciful tale , sometimes traditional , some- times newly invented , with which Socrates or some other interlocutor interrupts or concludes the argumentative conversa- tion in which the movement of ...
Sayfa 2
... philosophical discourse is the action . Any element , then , in the Platonic writings which the experienced reader finds of great dramatic moment — and the Myth is such - is likely to represent some striking trait in the person and ...
... philosophical discourse is the action . Any element , then , in the Platonic writings which the experienced reader finds of great dramatic moment — and the Myth is such - is likely to represent some striking trait in the person and ...
Sayfa 3
... philosophical style ; and his philosophy cannot be understood apart from it . * The main plan of this work is to append to the English translation of each of the Platonic Myths observations and notes relating specially to that Myth ...
... philosophical style ; and his philosophy cannot be understood apart from it . * The main plan of this work is to append to the English translation of each of the Platonic Myths observations and notes relating specially to that Myth ...
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Sayfa 29 - He is made one with Nature : there is heard His voice in all her music, from the moan Of thunder, to the song of night's sweet bird ; He is a presence to be felt and known In darkness and in light, from herb and stone, Spreading itself where'er that Power may move Which has withdrawn his being to its own ; Which wields the world with never wearied love, Sustains it from beneath, and kindles it above.
Sayfa 29 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again; From the contagion of the world's slow stain He is secure, and now can never mourn A heart grown cold, a head grown grey in vain; Nor, when the spirit's self has ceased to burn, With sparkless ashes load an unlamented urn.
Sayfa 237 - For this Agar is mount Sinai in Arabia, and answereth to Jerusalem which now is, and is in bondage with her children. But Jerusalem which is above is free, which is the mother of us all.
Sayfa 29 - Peace, peace! he is not dead, he doth not sleep — He hath awakened from the dream of life — 'Tis we, who lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance, strike with our spirit's knife Invulnerable nothings.
Sayfa 237 - But he who was of the bondwoman was born after the flesh ; but he of the freewoman was by promise. Which things are an allegory: for these are the two covenants; the one from the mount Sinai, which gendereth to bondage, which is Agar.
Sayfa 32 - Then with the knowledge of death as walking one side of me, And the thought of death close-walking the other side of me, And I in the middle as with companions, and as holding the hands of companions, I fled forth to the hiding receiving night that talks not, Down to the shores of the water, the path by the swamp in the dimness, To the solemn shadowy cedars and ghostly pines so still.
Sayfa 30 - WHEN lilacs last in the dooryard bloom'd, And the great star early droop'd in the western sky in the night, I mourn'd, and yet shall mourn with ever-returning spring.
Sayfa 31 - Passing the yellow-spear'd wheat, every grain from its shroud in the dark-brown fields uprisen, Passing the apple-tree blows of white and pink in the orchards, Carrying a corpse to where it shall rest in the grave, Night and day journeys a coffin.
Sayfa 390 - Poetry" (though against my own judgment) as opposed to the word Prose, and synonymous with metrical composition. But much confusion has been introduced into criticism by this contradistinction of Poetry and Prose, instead of the more philosophical one of Poetry and Matter of Fact, or Science.
Sayfa 30 - And many more, whose names on earth are dark, But whose transmitted effluence cannot die So long as fire outlives the parent spark, Rose, robed in dazzling immortality. 'Thou art become as one of us...