The Myths of Plato; Tr., with Introductory and Other Observations, by J.A. StewartMacmillan and Company, limited, 1905 - 532 sayfa |
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Sayfa vii
... Understanding " and " Moral Virtues " -Distinction between " Ideas " and " Categories " implicit in Plato- Kant's distinction explained - Why does Plato employ Myth when he represents " Ideas of Reason , Soul , Cosmos , God , and when ...
... Understanding " and " Moral Virtues " -Distinction between " Ideas " and " Categories " implicit in Plato- Kant's distinction explained - Why does Plato employ Myth when he represents " Ideas of Reason , Soul , Cosmos , God , and when ...
Sayfa xii
... understanding of our modern English " Idealists , " who , it is contended , are " Platonists " of the same kind as Cudworth and his associates 475-519 INTRODUCTION 1. THE PLATONIC DRAMA THE Platonic Dialogue may be xii THE MYTHS OF PLATO.
... understanding of our modern English " Idealists , " who , it is contended , are " Platonists " of the same kind as Cudworth and his associates 475-519 INTRODUCTION 1. THE PLATONIC DRAMA THE Platonic Dialogue may be xii THE MYTHS OF PLATO.
Sayfa 5
... mythopoeic fancy serves the X development of man . If it prepares the way for the exercise • of the scientific understanding , it also indicates limits INTRODUCTION 5 The Platonic Myth rouses and regulates "Transcendental Feeling"
... mythopoeic fancy serves the X development of man . If it prepares the way for the exercise • of the scientific understanding , it also indicates limits INTRODUCTION 5 The Platonic Myth rouses and regulates "Transcendental Feeling"
Sayfa 6
... Understanding should be reminded that it is not the Reason- the Part , that it is not the Whole Man . Herein chiefly lies the present value of Myth ( or of its equivalent , Poetry , Music , or whatever else ) for civilised man . " " ago ...
... Understanding should be reminded that it is not the Reason- the Part , that it is not the Whole Man . Herein chiefly lies the present value of Myth ( or of its equivalent , Poetry , Music , or whatever else ) for civilised man . " " ago ...
Sayfa 21
... understanding , which is " too much with us , " to this deep - lying part of human nature , as to an oracle . The responses of the oracle are not given in articulate language which the scientific understanding can interpret ; they come ...
... understanding , which is " too much with us , " to this deep - lying part of human nature , as to an oracle . The responses of the oracle are not given in articulate language which the scientific understanding can interpret ; they come ...
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Popüler pasajlar
Sayfa 29 - He is made one with Nature : there is heard His voice in all her music, from the moan Of thunder, to the song of night's sweet bird ; He is a presence to be felt and known In darkness and in light, from herb and stone, Spreading itself where'er that Power may move Which has withdrawn his being to its own ; Which wields the world with never wearied love, Sustains it from beneath, and kindles it above.
Sayfa 29 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again; From the contagion of the world's slow stain He is secure, and now can never mourn A heart grown cold, a head grown grey in vain; Nor, when the spirit's self has ceased to burn, With sparkless ashes load an unlamented urn.
Sayfa 237 - For this Agar is mount Sinai in Arabia, and answereth to Jerusalem which now is, and is in bondage with her children. But Jerusalem which is above is free, which is the mother of us all.
Sayfa 29 - Peace, peace! he is not dead, he doth not sleep — He hath awakened from the dream of life — 'Tis we, who lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance, strike with our spirit's knife Invulnerable nothings.
Sayfa 237 - But he who was of the bondwoman was born after the flesh ; but he of the freewoman was by promise. Which things are an allegory: for these are the two covenants; the one from the mount Sinai, which gendereth to bondage, which is Agar.
Sayfa 32 - Then with the knowledge of death as walking one side of me, And the thought of death close-walking the other side of me, And I in the middle as with companions, and as holding the hands of companions, I fled forth to the hiding receiving night that talks not, Down to the shores of the water, the path by the swamp in the dimness, To the solemn shadowy cedars and ghostly pines so still.
Sayfa 30 - WHEN lilacs last in the dooryard bloom'd, And the great star early droop'd in the western sky in the night, I mourn'd, and yet shall mourn with ever-returning spring.
Sayfa 31 - Passing the yellow-spear'd wheat, every grain from its shroud in the dark-brown fields uprisen, Passing the apple-tree blows of white and pink in the orchards, Carrying a corpse to where it shall rest in the grave, Night and day journeys a coffin.
Sayfa 390 - Poetry" (though against my own judgment) as opposed to the word Prose, and synonymous with metrical composition. But much confusion has been introduced into criticism by this contradistinction of Poetry and Prose, instead of the more philosophical one of Poetry and Matter of Fact, or Science.
Sayfa 30 - And many more, whose names on earth are dark, But whose transmitted effluence cannot die So long as fire outlives the parent spark, Rose, robed in dazzling immortality. 'Thou art become as one of us...