Drifting on a Read: Jazz as a Model for WritingSUNY Press, 1 Oca 1999 - 227 sayfa For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention." |
İçindekiler
Filé under Gumbo | 24 |
Required Listening | 61 |
The Counterfeiters | 102 |
Conjugal Riffs | 158 |
| 207 | |
| 221 | |
Diğer baskılar - Tümünü görüntüle
Sık kullanılan terimler ve kelime öbekleri
Adorno aesthetic African American Albert Ayler amateur criticism analysis anecdote Archie Shepp artistic avant-garde band Barthes bebop blues Bolden Buddy Bolden called Cecil Taylor charivari Charlie Parker Chet Baker classical music codes composing composition counterfeit Cowboy culture Derrida discourse Early Jazz effect employ essay example flâneur Francine free jazz Gregory Ulmer hermeneutics heuretics ideology improvisation interpretation invention Jarrett Jasbo jazz musicians jazzman jazzography jazzology Jimmy John language Lévi-Strauss listen literary Louis Armstrong means melody metaphor musicological musicology mystory myth Negro noise obbligato obbligato trope object of study ODJB Ondaatje Orleans Ornette Coleman paradigm play poem poetry popular question rapp readers recording Reed Reed's reference rhapsody rhetorical rhythm Rollins satire satura saxophone Schuller signature signifiers social songs sounds story structure style Sun Ra term textual theory things tion tradition trope truth ture Vechten words York
Bu kitaba yapılan referanslar
Notes to Make the Sound Come Right: Four Innovators of Jazz Poetry T. J. Anderson Sınırlı önizleme - 2004 |
Notes to Make the Sound Come Right: Four Innovators of Jazz Poetry T. J. Anderson Metin Parçacığı görünümü - 2004 |