Milton, Mannerism and Baroque, 3. cilt

Abdiel absolute achieved Adam and Eve Adam's allegory ambiguity angels appear architecture artist axis Baroque Art Baroque style Bernini Borromini Bunyan central chaos Chapel character Christ Christian church classical columns complete Comus concept conventions Counter-Reformation creation criticism Crusoe death devices divine doctrine dome dynamic earth effect elements English epic façade Faerie Queene familiar Father figure Gianlorenzo Bernini God's grace heaven heavenly hell heroic High Baroque High Renaissance human ideal incongruous Lady Laurentian Library light lines Lycidas Mannerism Mannerist martyr masque Medici Medici Chapel ment Michelangelo Milton mind nature obedience Paradise Lost Paradise Regained pastoral Peter's Pevsner poem poet poetic Puritan Raphael reader reason Renaissance revealed Roman Baroque Rome saints Samson Samson Agonistes Satan scene sense soul space Spenser spirit story structure suggest temptation term theme thou thought tion traditional unified unity universe vision vistas whole Wittkower word