Judgment: A Play in Two ActsMaunsel & Company, Limited, 1912 - 35 sayfa |
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afeard Ardara Fair Aunt Alley better Black Art blood bloody lies book-learned child childer chimney board cloth COLUM JOHNSTON comes crosses crowner dark dead Decency's decency decent devil for talking disparaging door dresser drink drunk Dublin easy farmhand Father John fetch fire forenent Groarty's gallows glen God help God's goes Good-night to ye Groarty half hands happen hard hare heard John Gilla Carr JOHN to Owen Kate Kinsella Lay me go Light Woman listen Maum Mevagh mind mister honey moan Month's Mind Mor's morning never night noggin old Peg Owen Ban OWEN quietly OWEN rising OWEN stopping Parry's PATCHEEN peelers Peg Straw Peg's death PETER MACMANUS pipe queer quiet roads seat Shan Aosta Shanley's sleep there the-night story strange STRANGER stroller strolling the-day thread tinkers trouble turns round voice wake water-crock What's wonder yapping دو
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Sayfa 34 - When Jesus had lifted up himself, and saw none but the woman, he said unto her, Woman, where are those thine accusers ? hath no man condemned thee ? She said, No man, Lord. And Jesus said unto her, Neither do I condemn thee : go, and sin no more.
Sayfa 35 - MISERERE mei Deus : secundum magnam misericordiam tuam. Et secundum multitudinem miserationum tuarum : dele iniquitatem meam. Amplius lava me ab iniquitate mea : et a peccato meo munda me.
Sayfa 26 - As I walked down thro' Dublin City At the hour of twelve in the night, Who should I see but a Spanish lady Washing her feet by candlelight. First she washed them, and then she dried them Over a fire of amber coal: Never in all my life did I see A maid JoHN (endeavouring to talk the song down).
Sayfa 26 - I'll wrastle you At a double trot through the Bridewell gate! So I waved a kiss to the Spanish lady, Hot as the fire of cramesy coal. I've seen dark maids, though never one So white and neat about...
Sayfa 31 - in his thin, piercing, old man's voice. JoHN. Well, if Father John comes in, it won't be telling you, Parry. (The noise subsides gradually.) OWEN (in comparative silence). Will you answer me this, Parry, and you, Stranger ? (There is a hush. Owen is listened to as one commanding respect.) Why is it when a man's soul is in his body, and he lusty and well, you think nothing of kicking him about as you would an old cast shoe ? But the minute the soul goes, and the body is stiffening in death, you draw...
Sayfa 8 - JOHN (grasping him). Oh, ay. PARRY. Then she dropped that, and she took to picking thraneens and bits of straw on the roads, and in haggards and places, and you'd never meet her but she'd have a bunch in her hand — about that length (measuring) . . . every little stalk bit off as neat as neat, and it like a scrubber or a dandy brush you'd put to a horse.
Sayfa 7 - She made an ill start, and she's like to have an ill end. OWEN. May God keep the kindness in our hearts, Nabla. It wasn't, as I say, all her own fault, maybe. The young fellows used to be baiting her, and the men jeering at her in the fairs. NABLA. It wasn't for nothing they called her the Light Woman.
Sayfa 20 - CoLUM (looking). It's stopped. PARRY. You wouldn't have it going, and a corp in the , house ? Would you, now ? Time is nothing when a body's dead. JoHN. Owen stopped it himself. He was standing on that stone as we came for'rad the door. It was just on the stroke of twelve. CoLUM (slowly). It's strange what happens.
Sayfa 25 - ... the glen, aren't you, mister ? PETER. He is not. He's a farmhand down at Ewart's. I've seen him before. CoLUM. A farmhand! You're out, Peter. He's a strolling man if he's anything. Look at him ! Look at the twisty gob of him. Begob, if the peelers smell him there'll be the devil to pay.