INDUSTRY. Free children of a land set free, A land late bound in fetters, Demand ye why your critic guest Scoffs oft in you his betters? Nor race alone, nor creed to him Is stumbling-block or scandal: His virtue builds on self-respect: Sad martyr of a finite hope, Nor seeks he, nor attains he The all-heavenly prize. He toils for earth; Grasp ye, with ampler aim, that good The will that energizes, The strong right hand, the lion heart, The natural virtues yield to those Strength, justice, prudence, self-constraint! From which a triad spire-should rise Advance, victorious years! we land On solid shores and stable : The Heroic Age returns. Of old Men fought with spears and arrows: The sea-bank is the shield to-day : The true knight drains and harrows !—Pp. 23–26. One of the longest poems in the book, and, we think, the finest, is called "The Sisters." The heroine seems to be drawn from the life. In no nature more fully than the Irish is displayed the power of faith in hours of trial; in none more fully than that of Irish women is verified the Apostle's saying, Virtus in infirmitate perficitur. The character of Mary MacCarthy is a beautiful illustration of this divine truth. But before we attempt a brief analysis of the poem, we must say a word about the manner of its introduction. The author discusses with an English friend who is visiting him the question of the condition of Ireland. The Englishman is wrathfully eloquent in his denunciation of everything he sees-unreclaimed lands, broken-down gates, ill-thatched hovels, rutty roads, feasts and fasts, wakes and weddings, and (worst of all) cripples at holy wells. His host speaks him gently; politely pretermits England's responsibility for some of these results; urges the authority of Querite primùm; admits that England's destiny is great, but mildly hints that Ireland's is greater, inasmuch as Heaven is better worth striving for than earth. To soothe him, however, he sings in high strains of fair and storied England; and our English readers will probably thank us for quoting the passage, which reminds one of Virgil's noble lines ("Sed neque Medorum, &c.") in the second Georgic, imitated successfully though with too much diffuseness in Thomson's "Summer" :- He loved his country; An older man than he for things less great Had loved her less. Yet who could gaze, unmoved, From Windsor's terraced heights o'er those broad meads Lit by the pomp of silver-winding Thames, Dropping past templed grove, and hall, and farm, Toward the great city? Who, unthrilled, could mark Where Tintern reigns in ruin; who could rest Embayed 'mid sylvan garniture, and isles From saint or anchoret named, within the embrace Examining more closely for himself the traces of ruin wrought by misrule, the stranger's candid mind experiences a revulsion. He now begins to lay the blame where the chief part of it undoubtedly should rest, on those who, having had the mastery in the isle for seven hundred years, could do no better than leave such a cruel botchery after them. Then his host, starting from the reflection, that The history of a soul holds in it more unfolds his simple tale. The sisters were Irish peasant girls, left orphans in early childhood, and taken to the home of their grandmother. Their characters are well contrasted; the elder active, quick, industrious, Kept the house; Hers was the rosier cheek, the livelier mind, The smile of readier cheer. The younger sister was of a different mood; pensive and solitary; prone to indolence And self-indulgence, not that coarser sort Which seeks delight, but that which shuns annoy. She was not idle, however, but, while her bustling sister ruled the dairy, the spinning-wheel was Mary's favourite employment. This picture of domestic peace soon gives way to a scene of horror. Sudden fell Famine, the terror never absent long, Upon our land. It shrank-the daily dole; Then waited God's decree. These things are known: The nettles and the weeds by the wayside : Men ate from sharpening features and sunk eyes But shook if hands, pitying or curious, raised In England alms Wept while her sons sank back into their graves Flying from the stricken land, Mary is on her way to America, when she falls sick of fever at Liverpool. On her recovery, she meets with an aged priest, who is her kinsman by the mother's side, and is persuaded by him to renounce the idea of going further. She settles herself with some friends outside the city, and, while employed in the gardens, attracts the notice of a young man of prosperous condition, who becomes her suitor. Her country was his own: he loved it not ; That love which either is in shallows lost, Or in its black depth breeds the poison weed. A moiety of his being which she saw not. And yet remained blank surface.-P. 176. This man's attachment is not proof against the promise of a fortune offered him by an uncle, who had lost the last of his own children, and called his nephew home to be his heir, but to wed another bride. When he appeals to his betrothed for "counsel" in this difficulty, she scornfully releases him; and she returns unopened a letter which, in a tardily repentant mood, he had written to her. Afterwards, when early affliction comes upon him, she bewails her pride. But hers was That wrath of tender hearts, which scorns After this trial, Mary's longings to journey further on return again. She crosses the Atlantic, passes from place to place, not unhappy, yet not feeling as if at home, until at last sickness again seizes her in a Southern city. After her recovery, in a moment of sadness and desolation, she is met by a nun, who persuades her to enter her own convent, where, as a lay sister, she at length finds peace and joy. There are some beautiful lines descriptive of the religious life, of which we can give but a few: From the vow Which bound the will's infinitude to God, Upwelled that peaceful strength whose fount was God: In holy passion for long hours adored, Came that great love which made the bonds of earth |