ESCHEW fine words as you would rage.—HARE.

Cant is properly a double-distilled he; the second power of a lie.-Carlyle.

If a gentleman be to study any language, it ought to be that of his own country.-LOCKE.

In language the unknown is generally taken for the magnificent.-RICHARD GRANT WHITE

He who has a superlative for everything, wants a measure for the great or small.—LAVATER.

Inaccurate writing is generally the expression of inaccurate thinking.-RICHARD GRANT WHITE.

To acquire a few tongues is the labor of a few years; but to be eloquent in one is the labor of a life.—ANONYMOUS,

Words and thoughts are so inseparably connected that an artist in words is necessarily an artist in thoughts.— WILSON FLAGG.

It is an invariable maxim that words which add nothing to the sense or to the clearness must diminish the force of the expression.-Campbell.

Propriety of thought and propriety of diction are commonly found together. Obscurity of expression generally springs from confusion of ideas.--MACAULAY.

He who writes badly thinks badly. Confusedness in words can proceed from nothing but confusedness in the thoughts which give rise to them.-COBBETT.

THE VERBALIST.

A-An.

The second form of the indefinite article is used for the sake of euphony only. Herein everybody agrees, but what everybody does not agree in is, that it is euphonious to use an before a word beginning with an aspirated h, when the accented syllable of the word is the second. For myself, so long as I continue to aspirate the h's in such words as heroic, harangue, and historical, I shall continue to use a before them; and when I adǝpt the Cockney mode of pronouncing such words, then I shall use an before them. To my ear it is just as euphonious to say, "I will crop off from the top of his young twigs a tender one, and will plant it upon an high mountain and eminent," as it is to say an harangue, an heroic, or an historical. An is well enough before the doubtful British aspiration, but before the distinct American aspiration it is wholly out of place. The reply will perhaps be, "But these h's are silent; the change of accent from the first syllable to the second neutralizes their aspiration." However true this may be in England, it is not at all true in America; hence we Americans should use a and not an before such h's until we decide to ape the Cockney mode of pronouncing them.

Errors are not unfrequently made by omitting to repeat the article in a sentence. It should always be repeated

when a noun or an adjective referring to a distinct thing is introduced; take, for example, the sentence, "He has a black and white horse." If two horses are meant, it is clear that it should be, "He has a black and a white horse." See THE.

Ability-Capacity. The distinctions between these two words are not always observed by those who use them. Capacity is the power of receiving and retaining knowledge with facility; ability is the power of applying knowledge to practical purposes. Both these faculties are requisite to form a great character: capacity to conceive, and ability to execute designs. Capacity is shown in quickness of apprehension. Ability supposes something done; something by which the mental power is exercised in executing, or performing, what has been perceived by the capacity."— Graham's "English Synonymes.”

Abortive. An outlandish use of this word may be occasionally met with, especially in the newspapers. "A lad was yesterday caught in the act of abortively appropriating a pair of shoes." That is abortive that is untimely, that has not been borne its full time, that is immature. We often hear abortion used in the sense of failure, but never by those that study to express themselves in chaste English.

Above. There is little authority for using this word as an adjective. Instead of, "the above statement," say, "the foregoing statement." Above is also used very inelegantly for more than; as, "above a mile," "above a thousand"; also, for beyond; as, "above his strength."

Accident. See CASUALTY.

Accord. "He [the Secretary of the Treasury] was shown through the building, and the information he desired was accorded him."-Reporters' English.

"The heroes prayed, and Pallas from the skies

Accords their vow."-Pope.

The goddess of wisdom, when she granted the prayers of her worshipers, may be said to have accorded; not so, however, when the clerks of our Sub-Treasury answer the inquiries of their chief.

Accuse. See BLAME IT ON.

Acquaintance. See FRIEND.

Ad.

This abbreviation for the word advertisement is very justly considered a gross vulgarism. It is doubtful whether it is permissible under any circumstances.

Adapt-Dramatize. In speaking and in writing of stage matters, these words are often misused. To adapt a play is to modify its construction with the view of improving its form for representation. Plays translated from one language into another are usually more or less adapted; i. e., altered to suit the taste of the public before which the translation is to be represented. To dramatize is to change the form of a story from the narrative to the dramatic; i. e., to make a drama out of a story. In the first instance, the product of the playwright's labor is called an adaptation; in the second, a dramatization.

Adjectives. "Very often adjectives stand where adverbs might be expected; as, 'drink deep,' 'this looks strange,' 'standing erect.

"We have also examples of one adjective qualifying another adjective; as, 'wide open,' 'red hot,' 'the pale blue sky.' Sometimes the corresponding adverb is used, but with a different meaning; as, 'I found the way easy—easily' ; 'it appears clear-clearly.' Although there is a propriety in the employment of the adjective in certain instances, yet such forms as 'indifferent well,' 'extreme bad,' are grammatical errors.

'He was interrogated relative to that cir