Elements of Criticism, 2. ciltA. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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Sayfa 11
... character or circumstances of the perfon . Nothing hath a worse effect in a story than impropriety of manners . In Corneille's tragedy of Cinna , Emilia , a favourite of Auguftus , receives daily marks of his affec- tion , and is loaded ...
... character or circumstances of the perfon . Nothing hath a worse effect in a story than impropriety of manners . In Corneille's tragedy of Cinna , Emilia , a favourite of Auguftus , receives daily marks of his affec- tion , and is loaded ...
Sayfa 13
... character of the author , which raises in him and in every fpectator the pleasant e motion of propriety . This emotion gene- rates in the author both self - esteem and joy ; the former when he confiders his relation to the action , and ...
... character of the author , which raises in him and in every fpectator the pleasant e motion of propriety . This emotion gene- rates in the author both self - esteem and joy ; the former when he confiders his relation to the action , and ...
Sayfa 32
... character confiderably , when their objects are of im- portance . A virtuous perfon behaving with fortitude and dignity under the most cruel misfortunes , makes a capital figure ; and the fympathifing spectator feels in himself the fame ...
... character confiderably , when their objects are of im- portance . A virtuous perfon behaving with fortitude and dignity under the most cruel misfortunes , makes a capital figure ; and the fympathifing spectator feels in himself the fame ...
Sayfa 35
... character to the highest pitch . These best express the dignity of his nature , and advance him nearer to divinity than any other of his at- tributes . By every production that shows art and contrivance , our curiofity is excited upon ...
... character to the highest pitch . These best express the dignity of his nature , and advance him nearer to divinity than any other of his at- tributes . By every production that shows art and contrivance , our curiofity is excited upon ...
Sayfa 43
... character clearly distinguishable from those now men- tioned . It is not properly a burlesque per- formance , but what may rather be termed an beroi - comical poem . It treats a gay and familiar fubject , with pleasantry and with a ...
... character clearly distinguishable from those now men- tioned . It is not properly a burlesque per- formance , but what may rather be termed an beroi - comical poem . It treats a gay and familiar fubject , with pleasantry and with a ...
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accent againſt agreeable alfo alſo beauty becauſe betwixt cafe caufe cauſe chap circumftance clofe cloſe compofed compofition congruity connected couplet cuftom Dactyles difagreeable dignity diſtinguiſhable elevation emotions Engliſh example expreffed expreffion external figns faid fame fecond fenfe fenfible fentiments feparation fhall fhort fyllables fhould fignification fingle fion firft firſt fome fometimes fpecies ftill fubftantive fubject fucceffion fuch fufficient greateſt habit hath Hexameter himſelf Hudibras impreffion inftances inverfion itſelf Jane Shore juft laft language laſt lefs long fyllable meaſure melody mind moſt mufic muft muſt nature neceffary obfervation object occafion oppofition paffage paffion pain paufe pauſe perfon period pleaſant pleaſure prefent profe pronounced propriety puniſhment raiſed reaſon refpect reliſh reſemblance rhyme ridicule rule ſenſe ſeparated ſhall ſhort ſome Spectator Spondees ſtill ſtrong ſtyle tafte thefe ther theſe things thoſe thou thought tion uſe verfe verſe words
Popüler pasajlar
Sayfa 103 - Of every hearer; for it so falls out, That what we have we prize not to the worth, Whiles we enjoy it; but being lack'd and lost, Why, then we rack the value; then we find The virtue, that possession would not show us, Whiles it was ours...
Sayfa 228 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Sayfa 220 - Like Niobe, all tears, why she, even she — O God ! a beast that wants discourse of reason, Would have mourn'd longer — married with mine uncle, My father's brother, but no more like my father Than I to Hercules...
Sayfa 223 - tis no matter; Honour pricks me on. Yea, but how if honour prick me off when I come on ? how then ? Can honour set to a leg? No. Or an arm? No. Or take away the grief of a wound ? No. Honour hath no skill in surgery then ? No. What is honour? A word. What is in that word, honour? What is that honour? Air. A trim reckoning ! — Who hath it? He that died o
Sayfa 213 - So, oft it chances in particular men, That for some vicious mole of nature in them, As, in their birth,— wherein they are not guilty, Since nature cannot choose his origin,— By the o'ergrowth of some complexion...
Sayfa 74 - Hampton takes its name. Here Britain's statesmen oft the fall foredoom Of foreign tyrants and of nymphs at home; Here thou, great Anna! whom three realms obey, Dost sometimes counsel take— and sometimes tea. Hither the heroes and the nymphs resort, To taste awhile the pleasures of a court; In various talk th...
Sayfa 213 - Oft breaking down the pales and forts of reason, Or by some habit that too much o'er-leavens The form of plausive manners ; that these men, Carrying, I say, the stamp of one defect, Being nature's livery, or fortune's star, Their virtues else, be they as pure as grace, As infinite as man may undergo, Shall in the general censure take corruption From that particular fault : the dram of eale Doth all the noble substance of a doubt To his own scandal.
Sayfa 428 - ... to none, to all she smiles extends; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride, Might hide her faults, if belles had faults to hide : If to her share some female errors fall, Look on her face, and you'll forget 'em all.
Sayfa 219 - That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on; and yet, within a month, Let me not think on't: Frailty, thy name is woman!
Sayfa 69 - Kiss, Not Tyrants fierce that unrepenting die, Not Cynthia when her Manteau's pinn'd awry, E'er felt such Rage, Resentment, and Despair, As Thou, sad Virgin ! for thy ravish'd Hair. For, that sad moment, when the Sylphs withdrew, And Ariel weeping from BELINDA flew, Umbriel...