Wordsworth's Profession: Form, Class, and the Logic of Early Romantic Cultural Production
Stanford University Press, 1997 - 454 sayfa
This book explores Wordsworth's professionalization as a writer in relation to the cultural and economic ascendancy of the English middle class between 1740 and 1820. Its wide-ranging interpretations are coordinated by a single, albeit highly ramified, critical hypothesis: that Romanticism's aesthetic forms simultaneously afforded the middle classes an imaginary furlough from the impinging consciousness of their tenuous socio-economic status.
Wordsworth's Profession analyzes and correlates changing paradigms of authorship, poetic genre, and tone with the demographic and spiritual aspects of middle-class life during the late eighteenth and early nineteenth centuries. The first of three parts explores Wordsworth's early descriptive poetry (An Evening Walk, Descriptive Sketches, and "Tinturn Abbey") in relation to inherited and contiguous aesthetic forms and practices, such as the landscapes of Lorrain and Gainsborough, Kant's theory of aesthetic communities, and the institutions of domestic tourism and the Picturesque in late-eighteenth-century England.
The second part addresses the construction of a distinctly middle-class paradigm of reading in Lyrical Ballads. It does so in relation to contemporary didactic fiction (Wollstonecraft), anti-didactic writing (Blake), speculative theories of education (Godwin, Coleridge, and Hegel), and the emergent so-called mutual tutor or "monitorial" systems of elementary schooling (Andrew Bell and Joseph Lancaster).
The book's final part, on The Prelude, focuses on representations of middle-class moral and economic anxiety as mediated in the spirited debate about populousness and public morality. Seen in this context, Wordsworth's autobiography appears less a confession than an attempt to simulate poetic answers to questions lingering in the national unconscious, questions too vast and threatening to bear conscious asking.
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Picturesque Aesthetics and the Production of
Nicolas Poussin Landscape with the Gathering of the Ashes
Daughters Elizabeth and Ann 1752
the Theory and Practice of Perspective 1770
William Gilpin Scene with Picturesque Adornment c 1792
William Craig exempla from his Essay on the Study of Nature
Thomas Hearne frontispiece to Richard P Knight The Landscape
Thomas Gainsborough Wooded Landscape with Cattle by a Pool
Romantic Theories of Elemental and Cultural Literacy
Diğer baskılar - Tümünü görüntüle
aesthetic affective already appears argument audience authentic authority become body Burke's calls capital complex conception concern consciousness constitutes contingent critical critique cultural descriptive determinate difference discipline discussion distinctive economic emergent empirical Essay experience fact feeling figural formal function genre historical human idea ideal ideological imagination individual interest interpretive knowledge landscape language less literary logic lyric Lyrical Ballads material means mediated middle middle-class mind mode moral motives narrative nature never notes object offers once original paradigm particular passage passions past Picturesque pleasure poem poem's poet poetic poetry political practice precisely Preface Prelude present production professional question reader reading reference Reflections remains representation reproduction rhetorical Romantic scene seems sense sensibility social society specific speculative spiritual structural symbolic theory things thought tion turn ultimately unconscious virtual Wordsworth's writing
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