Cross-cultural Universals of Aesthetic Appreciation in Decorative Band Patterns, 1. ciltNICI, 1999 - 233 sayfa In aesthetics, it is generally assumed that preferences depend on culture and personality. Although cultural and personal preferences can indeed differ to a large extent, there is also a significant shared preference independent of culture and personality. Investigation to what extent properties of aesthetic objects are independent of culture. To this purpose decorative band patterns from cultures all over the world and throughout history are compared. There might be some universal aesthetic preferences of the designers of the patterns and their customers. |
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2D number 3D objects aesthetic aesthetic appreciation background band properties bands contain Chapter classification collinearities concave angles conjunctive ambiguity contains positive universals contemporary cultures convex angles curvilinear objects Daghestan decorative band patterns depicted describe descriptive system different cultures distance distinction distinguish ethnographic example Figure form properties fractals function Furthermore groups of objects historical cultures homogeneity horizontal indicate Indo-Hittite interpretation Kroeber largest perceptual units less bands Murdock negative universals non-universal number and variety number of equal number of straight numbers of bands object group objects in bands objects in group obtuse angles occlusion occur orientation parallelities pattern property percentage of bands perceptual phenomena perceptual process phenomenological physical band regions relative occurrence relevant rotation symmetry sample frame segmentation sets of bands straight sides structure t-values Table taxonomy texture translation symmetry triangles types universal properties universals of occurrence universals of relative vertical mirror symmetry visual perception World Cultures zijn