Shakspeare's Dramatic Art: And His Relation to Calderon and GoetheChapman, 1846 - 554 sayfa |
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Sayfa 18
... and for the simple dry humour which prevails in it , as well as for the sus- tained tone and colouring , which are in perfect keeping with the subject , and the sphere of life in which its 18 SKETCH OF THE HISTORY OF THE.
... and for the simple dry humour which prevails in it , as well as for the sus- tained tone and colouring , which are in perfect keeping with the subject , and the sphere of life in which its 18 SKETCH OF THE HISTORY OF THE.
Sayfa 39
... humour and raillery , but without profundity of genius , or deep and solid feelings , without fixed opinions in religion and morals , and above all , without that energy of character which ENGLISH DRAMA , BEFORE SHAKSPEARE . 39.
... humour and raillery , but without profundity of genius , or deep and solid feelings , without fixed opinions in religion and morals , and above all , without that energy of character which ENGLISH DRAMA , BEFORE SHAKSPEARE . 39.
Sayfa 47
... humour at the moment when they are called upon to will and to act . Marlowe's diction is generally copious and nervous , pregnant and impressive - his delineations of passion and affection most commonly happy ; it is , however , wanting ...
... humour at the moment when they are called upon to will and to act . Marlowe's diction is generally copious and nervous , pregnant and impressive - his delineations of passion and affection most commonly happy ; it is , however , wanting ...
Sayfa 64
... humour of fashion , must , like any other tasteless ornament , if frequently employed , produce an unfavour- able effect ; and , accordingly , in his tales , and unquestionably genuine works , the use of them is comparatively rare ...
... humour of fashion , must , like any other tasteless ornament , if frequently employed , produce an unfavour- able effect ; and , accordingly , in his tales , and unquestionably genuine works , the use of them is comparatively rare ...
Sayfa 66
... humour was stimulated by the merry tales of Boccaccio , Bandello , and other Spanish and Italian novelists . ‡ * Despatch of Count Beaumont , the French Ambassador , 12th Aug. 1606 , in Raumer's Briefe aus Paris , ii . 271. For further ...
... humour was stimulated by the merry tales of Boccaccio , Bandello , and other Spanish and Italian novelists . ‡ * Despatch of Count Beaumont , the French Ambassador , 12th Aug. 1606 , in Raumer's Briefe aus Paris , ii . 271. For further ...
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Accordingly action allusions already appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently criticism Cymbeline death deed divine doubt Drake earthly English evil exhibited existence external fact Falstaff fancy favour feeling fundamental idea Gentlemen of Verona genuine Goethe Goethe's ground-idea Hamlet hand Henry the Sixth honour human humour influence inmost intrigue intrinsic Jonson Julius Cæsar justice King language Lastly latter Lear less Locrine lyrical Macbeth Malone Measure for Measure Merchant of Venice merely merry mind moral nature necessity ness nevertheless noble objective organic Othello outward passion personages piece play poem poet poetical poetry possess present Prince principle profound racter reflection Richard Romeo and Juliet scene Shak Shakspeare Shakspeare's shew sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic true truth unity view of things virtue weakness whole Winter's Tale youthful