The Quarterly Musical Magazine and Review, 7. ciltBaldwin, Craddock, and Joy, 1825 |
Kitabın içinden
100 sonuçtan 1-5 arası sonuçlar
Sayfa
... Italian Cantata , by Signor Maestro Coccia .. X. A complete Treatise on the Violoncello , including , besides the necessary preliminary Instructions , the Art of Bowing , with easy Lessons in all the Keys , properly fingered ; the whole ...
... Italian Cantata , by Signor Maestro Coccia .. X. A complete Treatise on the Violoncello , including , besides the necessary preliminary Instructions , the Art of Bowing , with easy Lessons in all the Keys , properly fingered ; the whole ...
Sayfa
... New Songs XXV . New Ballads .... XXVI . Arrangements . XXVII . The York Festival XXVIII . Signor Velluti .... .... • 252 253 254 255 255 257 258 259 260 262 268 ARTICLE PAGE I. English and Italian Tone 277 II . CONTENTS .
... New Songs XXV . New Ballads .... XXVI . Arrangements . XXVII . The York Festival XXVIII . Signor Velluti .... .... • 252 253 254 255 255 257 258 259 260 262 268 ARTICLE PAGE I. English and Italian Tone 277 II . CONTENTS .
Sayfa
ARTICLE PAGE I. English and Italian Tone 277 II . Answer to Speculator ... 281 III . Gran Gusto 285 IV . On the limited Choice of Public Singers as to Variety of Songs .. 288 V. Der Freischutz 293 VI . Private Concerts .. 295 VII ...
ARTICLE PAGE I. English and Italian Tone 277 II . Answer to Speculator ... 281 III . Gran Gusto 285 IV . On the limited Choice of Public Singers as to Variety of Songs .. 288 V. Der Freischutz 293 VI . Private Concerts .. 295 VII ...
Sayfa
... Italian Notturnos , composed by D. Crivelli XXV . New Flute Music XXVI . New Songs .. XXVII . Arrangements XXVIII . The Royal Academy of Music . XXIX . Grand Musical Festivals .. 401 402 403 404 405 406 408 .. 410 OF No. XXVIII ...
... Italian Notturnos , composed by D. Crivelli XXV . New Flute Music XXVI . New Songs .. XXVII . Arrangements XXVIII . The Royal Academy of Music . XXIX . Grand Musical Festivals .. 401 402 403 404 405 406 408 .. 410 OF No. XXVIII ...
Sayfa
... Italian Songs XXII . Church Music XXIII . Voluntaries XXIV . Flute Music XXV . Harp Music XXVI . Horsley on the Intervals XXVII . Arrangements ... 529 530 532 535 545 546 547 549 ON THE PHILOSOPHY OF MUSICAL COMPOSITION , No. 7 . CONTENTS .
... Italian Songs XXII . Church Music XXIII . Voluntaries XXIV . Flute Music XXV . Harp Music XXVI . Horsley on the Intervals XXVII . Arrangements ... 529 530 532 535 545 546 547 549 ON THE PHILOSOPHY OF MUSICAL COMPOSITION , No. 7 . CONTENTS .
İçindekiler
399 | |
408 | |
411 | |
449 | |
502 | |
503 | |
504 | |
507 | |
186 | |
213 | |
221 | |
236 | |
240 | |
258 | |
268 | |
277 | |
310 | |
347 | |
392 | |
396 | |
511 | |
513 | |
529 | |
530 | |
531 | |
533 | |
535 | |
546 | |
547 | |
548 | |
549 | |
Diğer baskılar - Tümünü görüntüle
Sık kullanılan terimler ve kelime öbekleri
accompaniment ad lib admired Alessandro Scarlatti amateurs amongst anthem appears beautiful Begnis born brilliant cantata Caradori celebrated Chapel character chorus church composer composition Concert Spirituel considered Cosi fan tutte delight display Don Giovanni dramatic duet DUETTO effect elegant English excellent execution expression feeling festival Flute formed Freyschutz genius GLEE graceful Handel harmony Harp heard imagination imitation instrument introduced Italian Italy King's Theatre less lesson London Lord Lully Madame manner master melody ment merit Metastasio mind Miss Mozart musicians nature never opera orchestra organist overture Paris passages passion performance Piano Forte pieces poet poetry Preciosa present pupils recitative render Ricciardo e Zoraide Rossini Semiramide shew Signor Garcia Signor Velluti singer singing solo sonatas song sounds style sung symphony talents taste tenor thing tion tone variations Venice violin violinist Violoncello vocal voice Weber whole words
Popüler pasajlar
Sayfa 213 - The Supper of the Lord is not only a sign of the love that Christians ought to have among themselves one to another ; but rather it is a sacrament of our redemption by Christ's death : insomuch that to such as rightly, worthily, and with faith, receive the same, the bread which we break is a partaking of the body of Christ; and likewise the cup of blessing is a partaking of the blood of Christ.
Sayfa 487 - Of all the performers in this opera at that time, but one survives — myself. It was allowed that never was opera stronger cast. I have seen it performed at different periods in other countries, and well too, but no more to compare with its original performance than light is to darkness. All the original performers had the advantage of the instruction of the composer, who transfused into their minds his inspired meaning. I never shall forget his little animated countenance, when lighted up with...
Sayfa 452 - And Miriam, the prophetess, the sister of Aaron, took a timbrel in her hand ; and all the women went out after her with timbrels and with dances. And Miriam answered them, Sing ye to the Lord, for he hath triumphed gloriously : the horse and his rider hath he thrown into the sea.
Sayfa 214 - The strengthening and refreshing of our souls by the Body and Blood of Christ, as our bodies are by the bread and wine.
Sayfa 135 - Omnipotent reigneth,' they were so transported that they all, together with the king (who happened to be present), started up, and remained standing till the chorus ended; and hence it became the fashion in England for the audience to stand while that part of the music is performing.
Sayfa 213 - THE Supper of the Lord is not only a sign of the love that Christians ought to have among themselves one to another; but rather is a Sacrament of our Redemption by Christ's death : insomuch that to such as rightly, worthily, and with faith, receive the same, the Bread which we break is a partaking of the Body of Christ ; and likewise the Cup of Blessing is a partaking of the Blood of Christ.
Sayfa 211 - And that in the most holy sacrament of the eucharist, there is truly, really, and substantially the body and blood together with the soul and divinity of our Lord Jesus Christ...
Sayfa 488 - I added, (apologising at the same time, for my apparent want of deference and respect in placing my opinion in opposition to that of the great Mozart,) that unless I was allowed to perform the part as I wished, I would not perform it at all. Mozart at last consented that I should have my own way, but doubted the success of the experiment. Crowded houses proved that nothing ever on the stage produced a more powerful effect; the audience were convulsed with laughter, in which Mozart himself joined....
Sayfa 477 - ... boat, I perceived a young lady and gentleman standing on the Mole, making observations ; as the former looked at me she laughed, and as I approached, I heard her say to her companion in English, which, of course, she thought I did not understand, " Look at that girl dressed in boy's clothes...
Sayfa 43 - ... with them; and they esteemed a violin to be an instrument only belonging to a common fidler, and could not endure that it should come among them, for feare of making their meetings to be vaine and fidling.