The Sonnet Sequence: A Study of Its StrategiesTwayne Publishers, 1997 - 171 sayfa On May 19, 1348, Francis Petrarch, already one of Europe's most celebrated poets, learned of the death of his beloved Laura. From then until his own death in 1374, he devoted much of his life to composing sonnets in praise of her. The 366 poems that resulted from this labor of love became known as the Rime Sparse ("Scattered Poems"), the most famous of early sonnet sequences. In the seven centuries since Petrarch's Rime Sparse, the sonnet sequence has captured the attention of some of Europe's and America's greatest poets. Dante, Shakespeare, Donne, Barrett Browning, Rilke, and Berryman are some who have found in the genre "the locus of a quest for understanding the self". This engagement with the question of identity is a keynote of the sonnet sequence and one reason for its critical importance as a genre. Michael R. G. Spiller suggests that the persistence of this difficult literary form can be attributed in part to its cohesive progressive sequence that at the same time respects the integrity of its component sonnets. No other genre has provided this tension between the fragment and the whole. As Spiller illuminates in his concise exploration of the genre's development, each individual sonnet has a structure and dynamic that keeps it resistant to being reduced to a mere stanza of a longer work; yet sonnet sequences do cohere. Spiller analyzes how they relate and identifies four modes of sequences: formal, narrative, lyric, and philosophical. He explores each kind of linking, with attention paid to the popular topographical sequence (a subsequence to the philosophical) and emphasis on the lyric, as the most historically important. This book demonstrates Spiller's own theory of thesonnet sequence, using supportive close readings of a wide variety of important American and European works with English translations where appropriate. This is a theoretical framework for a genre that anticipated major elements of narrative fiction. Spiller skillfully traces the evolution of the form from the thirteenth to the twentieth centuries, and, by juxtaposing sequences from very different times, emphasizes generic continuities. Spiller creates an essential resource for students and scholars of English and European literature from the age of Dante to the modern era. |
Kitabın içinden
37 sonuçtan 1-3 arası sonuçlar
Sayfa 9
... called a quatrain . When the sonnet first appeared in English , in the sixteenth century , a new form of octave also appeared , rhyming ABAB CDCD or sometimes ABBA CDDC . When the second quatrain repeats the rhymes of the first , the ...
... called a quatrain . When the sonnet first appeared in English , in the sixteenth century , a new form of octave also appeared , rhyming ABAB CDCD or sometimes ABBA CDDC . When the second quatrain repeats the rhymes of the first , the ...
Sayfa 64
... called a ballata , and three longer , more philosophical poems called canzoni , together with one canzone stanza . ( Though there is no proof of this , it may be from this mixture that Petrarch in his turn obtained the notion of ...
... called a ballata , and three longer , more philosophical poems called canzoni , together with one canzone stanza . ( Though there is no proof of this , it may be from this mixture that Petrarch in his turn obtained the notion of ...
Sayfa 144
... called sequences [ ' catene ' ] rather than coronas . These ones are composed of fifteen sonnets , the last one of which is called the ' magistrale ' and from the lines of that one are taken the first and last lines of all the other ...
... called sequences [ ' catene ' ] rather than coronas . These ones are composed of fifteen sonnets , the last one of which is called the ' magistrale ' and from the lines of that one are taken the first and last lines of all the other ...
İçindekiler
The Sonnet and the Sequence | 8 |
Chapter 2 | 32 |
Chapter 3 | 46 |
Telif Hakkı | |
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Sık kullanılan terimler ve kelime öbekleri
ABBA ABBA Anne Locke Astrophel and Stella Bellay Bellay's Berryman called categorical sequence century chapter Collected Poems corona sequence couplet critics Dante death Donne Donne's edition Edmund Spenser Edna St Elegies Elizabeth Barrett Elizabeth Barrett Browning English formal Gascoigne genre George Macbeth Guittone Guittone d'Arezzo Holy Sonnets individual sonnets Italian Joachim du Bellay John John Berryman John Donne kind lady last line last sonnet Laura linked literary lover lyric sequence magistrale meditative metapoetic Millay's Milton narrating number of sonnets octave person Petrarch Petrarch's Rime Petrarchan philosophical poet poetic poetry praise problem prose reader Renaissance rhymes Rilke Rilke's River Duddon Rossetti School of Eloquence sense sequential sestet Shakespeare Shakespeare's Sonnets single sonnet sonetto sonnet sequence sonnet to sonnet Sonnets to Chris speaker speaking Spenser Spiller stanza symbolic tenzone thee thou tion Tony Harrison translation Ungrafted Tree verse Vincent Millay woman word Wordsworth writing written wrote
Bu kitaba yapılan referanslar
Politique des "amours": poétique et genèse d'un genre français nouveau (1544 ... Cécile Alduy Metin Parçacığı görünümü - 2007 |