 | Aaron Hill - 1753 - 434 sayfa
...'em. And his fecret, by which he attain'd this great leflbn of the Theatre, was an affociation, or adaption of his look to his voice; by which artful...propriety to every change in his countenance. So that, among Players, in whom it is common to hear pity pronounc'd with a frown upon the forehead, forrow... | |
 | Aaron Hill - 1753 - 428 sayfa
...'em. And his fecret, by which he attain'd this great leflbn of the Theatre, was an aflbciation, or adaption of his look to his voice; by which artful...propriety to every change in his countenance. So that, among Players, in whom it is common to hear pity pronounc'd with a frown upon the forehead, forrow... | |
 | Robert Shiells - 1753 - 368 sayfa
...and his fecret of his obtaining this great leflbn of the theatre, was an adaption of his look to bis voice, by which artful imitation of nature, the variations...gave propriety to every change in his countenance, fo that it was Mr. Booth's peculiar felicity to be heard and feen the fame, whether as the pleafed,... | |
 | Theophilus Cibber - 1753 - 406 sayfa
...and his fccret of his obtaining th-t great \ef.nn of the theatre, was an adaption of nit. look f; h!s voice, by which artful imitation of nature, the variations in the found of hi« words, gave propriety to every change in hit countenance, lo that it wai Mr. Booth s peculiar... | |
 | 1761 - 474 sayfa
...difcovered he foon grew able to " exprefs them. And his fecret for attaining this great leflbn '. " of the theatre was an adaption of his look to his...found of his words gave propriety to every change ir» " his countenance. So that it was Mr. Booth's peculiar " felicity to be heard and feen the fame—whether... | |
 | 1761 - 474 sayfa
...the injudicious practice of other " adlors, which when he had difcovered he foon grew able to • '* of the theatre was an adaption of his look to his voice, *' exprefs them. And his fecret for attaining this great leflbn " by which artful imitation of nature,... | |
 | 1784 - 504 sayfa
...he had difcovered he foon grew able " to exprefs: and his fecret for attaining this great leffoir " of the theatre was an adaption of his look to his...artful imitation of nature, the variations in the 11 found of his words gave propriety to every change in his " countenance. So that it was Mr. Booth's... | |
 | Alexander Chalmers - 1812 - 540 sayfa
...adaption of his look to his voice, by which artful imitation of nature, the variations in the sound of his words gave propriety to every change in his...was Mr. Booth's peculiar felicity to be heard and seen the same — whether as the pleased, the grieved, thg pitying, the reproachful, or the angry.... | |
 | Alexander Chalmers - 1812 - 534 sayfa
...when he had discovered, he soon grew able to express : and his secret for attaining this great lesson of the theatre was an adaption of his look to his...artful imitation of nature, the variations in the sound of his words gave propriety to every change in his countenance. So that it was Mr. Booth's peculiar... | |
 | Alexander Chalmers - 1812 - 542 sayfa
...when he ban discovered, he soon grew able to express : and his secret for attaining this great lesson of the theatre was an adaption of his look to his...artful imitation of nature, the variations in the sound of his words gave propriety to every change in his countenance. So that it was Mr. Booth's peculiar... | |
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... adaptation of his look to his voice, by which artful imitation of nature, the variations in the sound of his words gave propriety to every change in his countenance. 
