A History of the Literature of Ancient Greece, 1. ciltBaldwin and Cradock, 1840 - 516 sayfa |
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Diğer baskılar - Tümünü görüntüle
Sık kullanılan terimler ve kelime öbekleri
according Achæans Achilles actors Æolians Æolic Æschylus Alcæus Alcman Anacreon ancient antiquity Apollo appears Archilochus Asia Minor Athenians Athens beautiful belongs Boeotia called celebrated character choral chorus cithara composed connected connexion contest dance deities dialect Dionysus dithyramb Dorians Doric doubtless drama Edipus elegy epic poems epic poetry Eschylus Euripides expression extant fable feelings festival Fragm fragments gods Greece Greeks Hence Hercules Herodotus heroes heroic Hesiod Homeric poems hymns iambic Ibycus Iliad Ionians Ionic language later legends lyric poetry manner mentioned metre mind Muses mythical nation nature odes Odyssey Olymp Olympiad Orestes origin Orphic passage passion peculiar period Persian Persian war persons Pindar play Plutarch poet poetical probably race recitation remarkable represented rhapsodists Sappho Schol Simonides Smyrna songs Sophocles Sparta Stesichorus strophes style sung Terpander Thebes Theogony tion tone tradition tragedy tragic trochaic Trojan Ulysses verses victory whole worship Zeus καὶ
Popüler pasajlar
Sayfa 17 - Thammuz came next behind, Whose annual wound in Lebanon allured The Syrian damsels to lament his fate In amorous ditties, all a summer's day; While smooth Adonis from his native rock Ran purple to the sea, supposed with blood Of Thammuz yearly wounded...
Sayfa 225 - Herod., ii. 81) were annexed, was the Chthonian deity Dionysus Zagreus, closely connected with Demeter and Cora, who was the personified expression, not only of the most rapturous pleasure, but also of a deep sorrow for the miseries of human life.
Sayfa 238 - Fire lives the death of earth, and air lives the death of fire ; water lives the death of air, earth that of water.
Sayfa 309 - ... point of moral denunciation, no dramatist surpasses him. With these three great poets, Greek tragedy may be said to close. With them it ceased to be the tragedy which Aristotle has described in his celebrated definition of it. " Tragedy,
Sayfa 215 - Or it might be deferred until after the victor's solemn return to his native city, where it was sometimes repeated, in following years, in commemoration of his success. A celebration of this kind always had a religious character, it often began with a procession to an altar or temple, in the place of the games or in the native city ; a sacrifice, followed by a banquet, was then offered at the temple, or in the house of the victor ; and the whole solemnity concluded with the merry and boisterous revel...
Sayfa 226 - Heraclitus as the opinion of a particular sect) ; and upon whom the Orphic theologers founded their hopes of the purification and ultimate immortality of the soul. But their mode of celebrating this worship was very different from the popular rites of Bacchus. The Orphic worshippers of Bacchus did not indulge in unrestrained pleasure and frantic enthusiasm, but rather aimed at an ascetic purity of life and manners.
Sayfa 256 - I write these things as they seem to me to be true ; for the stories of the Greeks are many and ridiculous, as it seems to me.
Sayfa 288 - Bacchus,* the character of these festivals exercised a great influence on the drama. It retained a sort of Bacchic colouring; it appeared in the character of a Bacchic solemnity and diversion ; and the extraordinary excitement of all minds at these festivals, by raising them above the tone of everyday existence, gave both to the tragic and the comic muse unwonted energy and fire.
Sayfa 216 - ... expressions denoting movement, and which yet have epodes. It is possible that the epodes in the latter odes may have been sung at certain intervals when the procession was not advancing ; for an epode, according to the statements of the ancients, always required that the chorus should be at rest. But by far the greater number of the odes of Pindar were sung at the Comus, at the jovial termination of the feast; and hence Pindar himself more frequently names his odes from the Comus than from the...
Sayfa 65 - The formation of an artificial prose style is due entirely to the Sophists, and although they did not at first proceed according to a right method, they may be considered as having laid a foundation for the polished diction of Plato and Demosthenes.