The Cambridge Companion to ShakespeareMargreta de Grazia, Stanley Wells Cambridge University Press, 5 Nis 2001 This book offers a comprehensive, readable and authoritative introduction to the study of Shakespeare, by means of nineteen newly commissioned essays. An international team of prominent scholars provide a broadly cultural approach to the chief literary, performative and historical aspects of Shakespeare's work. They bring the latest scholarship to bear on traditional subjects of Shakespeare study, such as biography, the transmission of the texts, the main dramatic and poetic genres, the stage in Shakespeare's time and the history of criticism and performance. In addition, authors engage with more recently defined topics: gender and sexuality, Shakespeare on film, the presence of foreigners in Shakespeare's England and his impact on other cultures. Helpful reference features include chronologies of the life and works, illustrations, detailed reading lists and a bibliographical essay. |
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... Latin grammar, read Aesop's Fables, then moved on to the usual classics: Ovid's Metamorphoses (frequently quotedor alluded toinhislater writings), Plautus (whose Menaechmi and Amphitruo supplied the plot for The Comedy of Errors) ...
... Latin grammar, read Aesop's Fables, then moved on to the usual classics: Ovid's Metamorphoses (frequently quotedor alluded toinhislater writings), Plautus (whose Menaechmi and Amphitruo supplied the plot for The Comedy of Errors) ...
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... Latin, and less Greek1. . . Ben Jonson, asever greatestof collaborators and most problematic of friends, is so masterful an epigrammatist that this last concessive clause will inspire centuries oflore concerning what Shakespeare read ...
... Latin, and less Greek1. . . Ben Jonson, asever greatestof collaborators and most problematic of friends, is so masterful an epigrammatist that this last concessive clause will inspire centuries oflore concerning what Shakespeare read ...
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... Latin and Greek, thispartof Shakespeare's reading has tendedtobe quite segregated from the canon that Jonson had in mind. However well or badly we imagine Shakespeare knew them, the authorsimpliedinthe Folio poem are learned humanist ...
... Latin and Greek, thispartof Shakespeare's reading has tendedtobe quite segregated from the canon that Jonson had in mind. However well or badly we imagine Shakespeare knew them, the authorsimpliedinthe Folio poem are learned humanist ...
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... Latin grammar. Herewecan postulateaplausible booklist forthe Stratford boy. WilliamLily's Latin Grammar, first compiled near the beginning of the sixteenth century and stillinuse two hundred and fiftyyears later,wasthe universal ...
... Latin grammar. Herewecan postulateaplausible booklist forthe Stratford boy. WilliamLily's Latin Grammar, first compiled near the beginning of the sixteenth century and stillinuse two hundred and fiftyyears later,wasthe universal ...
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İçindekiler
LEONARD BARKAN 4 Shakespeare andthecraftof language | |
Shakespeares poems | |
The genresof Shakespearesplays SUSAN SNYDER | |
City and Court | |
Gender and sexualityin Shakespeare | |
Shakespeare and English history DAVID SCOTTKASTAN 12 Shakespeare in the theatre 16601900 | |
Shakespeare on the page and the stage | |
Shakespeare worldwide | |
Shakespeare criticism 16001900 | |
HUGH GRADY 18 Shakespeare criticismin the twentieth century | |
Index | |
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