 | David Carr - 1991 - 204 sayfa
...events are properly represented when they are shown to display the formal coherency of a story?"27 "Does the world really present itself to perception in the form of well-made stories . . . ? Or does it pre24. Carl G. Hempel, "The Function of General Laws in History," The Journal of... | |
 | Natalie Zemon Davis - 1987 - 244 sayfa
..."historical" to the "fictional," I think we can agree with Hayden White that the world does not just "present itself to perception in the form of well-made...subjects, proper beginnings, middles, and ends." And in the diverse efforts to define the character of historical narrative, I think we can agree with Roland... | |
 | Hayden White - 1990 - 264 sayfa
...the stories we tell about imaginary events could only have its origin in wishes, daydreams, reveries. Does the world really present itself to perception...that permits us to see "the end" in every beginning? Or does it present itself more in the forms that the annals and chronicle suggest, either as mere sequence... | |
 | Katherine Cummings - 1991 - 330 sayfa
...seek to undo it, to overturn it, to reveal it, to expose it. Catherine Clement, The Newly Born Woman Does the world really present itself to perception...the form of well-made stories, with central subjects . . . and a coherence that permits us to see "the end" in every beginning? Or does it present itself... | |
 | Shirley Samuels - 1992 - 358 sayfa
...narrative is of course an artificial construct, for, as Hayden White has observed, the world does not just "present itself to perception in the form of well-made...central subjects, proper beginnings, middles, and ends."2 Any narrative of the Lucretia Chapman story involves a fictive process that unavoidably imposes... | |
 | Tobin Siebers - 1993 - 180 sayfa
...coherence, integrity, fullness, and closure of an image of life that is and can only be imaginary. . . . Does the world really present itself to perception...that permits us to see 'the end' in every beginning? Or does it present itself ... as mere sequence without beginning or end or as sequences of beginnings... | |
 | Richard Wightman Fox, T. J. Jackson Lears - 1993 - 302 sayfa
...account — even the allegedly "nonfictional" — is an artificial construct, for the world does not just "present itself to perception in the form of well-made...central subjects, proper beginnings, middles, and ends."1 Any narrative of murder involves a fictive process which reveals much about the mental and... | |
 | V. Philips Long - 1994 - 252 sayfa
...beginnings, middles and ends. . . . Narrative qualities are transferred from art to life") and Hayden White ("Does the world really present itself to perception in the form of S2Nature, pp. 143-44. Similarly, Axtell ("History as Imagination," p. 458) writes: "Since history at... | |
 | Joyce Oldham Appleby - 1996 - 578 sayfa
...the stories we tell about imaginary events could only have its origin in wishes, daydreams, reveries. Does the world really present itself to perception...that permits us to see "the end" in every beginning? Or does it present itself more in the forms that the annals and chronicle suggest, either as mere sequence... | |
 | Peter Brooks, Paul Gewirtz - 1996 - 316 sayfa
...the best quick summary of this point comes in Hayden White's explanation that the world does not just "present itself to perception in the form of well-made...central subjects, proper beginnings, middles, and ends." Someone must create a narrative or story based upon modes of perception and presuppositions that are... | |
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Does the world really present itself to perception in the form of well-made stories, with central subjects, proper beginnings, middles, and ends, and a coherence that permits us to see "the end 
