Renaissance Drama 32: New Series 32Jeffrey Masten, Wendy Wall Northwestern University Press, 9 Tem 2003 - 264 sayfa Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance. |
İçindekiler
GENEVIEVE LOVE As from the Waste of Sophonisba or Whats Sexy about Stage Directions | 3 |
Racial CrossDressing on the Early Modern Stage | 33 |
Vision Violence and Penalty in Shakespeares 2 Henry VI | 69 |
Sleeping Potions and Poisons in Romeo and Juliet and Antony and Cleopatra | 95 |
The Roaring Girl and the Wisdom of Tiresias | 123 |
MARIO DIGANGI Sexual Slander and Working Women in The Roaring Girl | 147 |
Margaret Cavendish and the Drama of Property | 177 |
Maternal Agency in 3 Henry VI and King John | 225 |
Notes on Contributors | 255 |
Sık kullanılan terimler ve kelime öbekleri
African Antony Antony's argues audience body Bolsover Bolsover Castle boy actors Cambridge University Press Chaillot Charles citizen wives Cleopatra cloth comedy Constance Convent of Pleasure court critical cross-dressing cultural death desire Duchess dyeing Early Modern England English erotic essay fantasy father female gender Gloucester's Hamlet hath Henrietta Maria Henry Henry VI husband Ibid identity ideology imagination John Marston Jonson King John knowledge Lady Happy Laxton London Margaret Cavendish marriage Marston Masinissa material metatheatrical Mistress Gallipot Mistress Openwork Moll Moll's mother Newcastle onstage Oxford patrilineal performance play play's playgoing poison political Queen racial readers reading Renaissance Renaissance Drama Restoration reveals Roaring Girl role Romeo and Juliet Routledge royalist scene sexual Shakespeare Sir Alexander slander sleeping potion social Sophonisba space stage directions suggests Syphax theater theatrical effects thou Tiresias tragedy visual Welbeck Abbey wife William Cavendish woman women writes York