Mel Gibson's Passion and Philosophy: The Cross, the Questions, the Controverssy

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Open Court, 14 нояб. 2013 г. - Всего страниц: 225
Mel Gibson’s The Passion of the Christ has become one of the most controversial films ever made, and it is already a blockbuster of cinematography. Its defenders passionately regard it as one of the most moving and influential pieces of religious art ever created. But its detractors argue with comparable vehemence that the violence and gore it contains, its alleged anti-Semitism, a particular take on the Christian message, and the lack of historical and Biblical accuracy, make it nothing more than a kind of political propaganda. Father Thomas Rosica hailed as one of the great masterpieces of religious art, but the secular humanist Paul Kurtz thinks of it as a political weapon in the hands of the religious right. Film critics are divided in their judgment, giving the film anywhere from no stars to five stars. Regardless of what one thinks of the film, however, its impact both personal and social is beyond question.
 

Содержание

Depictions of the Passion
9
Washing Away Human
25
The Focus of The Passion Puts the Person of Jesus
40
Hegel Overcomes
62
Do Jews and Christians See
79
Is The Passion of the Christ Racist? Due Process
101
What Is Truth?
127
Suffering and
151
Wisdom of the Hidden
167
SelfSacrifice and Atonement
190
God as Scandalous
204
Could It Have Been Different?
221
Extenuating Circumstances in
234
About the Authors
261
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Jorge J.E. Gracia is the Samuel P. Capen Chair and SUNY Distinguished Professor at the State University of New York.

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