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affection ALDA appears Beatrice beauty believe better breathe brother Camiola cause character charm confess considered consistent critics death deep distinction doubt earth existence expression exquisite eyes fair faith fancy father fear feeling female feminine force forms give grace Hamlet hand hath heart heaven Helena honour hope human imagination impression intellect interest Isabella Italy Juliet kind king Lady leaves less light living look lord lover manner mean MEDON ment mind moral mother nature never nurse observes once Ophelia passion Perdita perfect perhaps picture placed play poetical poetry poor Portia possible present principle reason remarked rest Romeo Rosalind says scene seems sense sentiment Shakspeare situation soft soul speak spirit story strength strong sweet tenderness things thou thought tion touch true truth Viola virtue whole woman women young youth
Sayfa 23 - The crow doth sing as sweetly as the lark, When neither is attended ; and, I think, The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.
Sayfa 31 - It blesseth him that gives, and him that takes : 'Tis mightiest in the mightiest ; it becomes The throned monarch better than his crown ; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings ; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
Sayfa 33 - That skins the vice o' the top. Go to your bosom ; Knock there ; and ask your heart what it doth know That's like my brother's fault ; if it confess A natural guiltiness such as is his, Let it not sound a thought upon your tongue Against my brother's life.
Sayfa 152 - Give me those flowers there, Dorcas. — Reverend sirs, For you there's rosemary and rue ; these keep Seeming and savour all the Winter long : Grace and remembrance be to you both,7 And welcome to our shearing ! Polix.
Sayfa 80 - Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night. Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay,' And I will take thy word: yet, if thou swear'st, Thou mayst prove false: at lovers' perjuries, They say, Jove laughs.
Sayfa 31 - Well believe this, No ceremony that to great ones 'longs, Not the king's crown, nor the deputed sword, The marshal's truncheon, nor the judge's robe, Become them with one half so good a grace, As mercy does.
Sayfa 22 - Happy in this, she is not yet so old But she may learn; happier than this, She is not bred so dull but she can learn; Happiest of all is that her gentle spirit Commits itself to yours to be directed, As from her lord, her governor, her king.
Sayfa 81 - I should have been more strange, I must confess, But that thou overheard'st, ere I was ware, My true love's passion: therefore pardon me, And not impute this yielding to light love, Which the dark night hath so discovered.
Sayfa 176 - I shall the effect of this good lesson keep, As watchman to my heart. But, good my brother, Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven, Whilst, like a puffd and reckless libertine, Himself the primrose path of dalliance treads And recks not his own rede.
Sayfa 33 - But man, proud man ! Drest in a little brief authority, Most ignorant of what he's most assured, His glassy essence, like an angry ape, Plays such fantastic tricks before high Heaven As make the angels weep ; who, with our spleens, Would all themselves laugh mortal.