The Monthly Review, Or, Literary Journal, 27. ciltR. Griffiths, 1763 |
Kitabın içinden
65 sonuçtan 6-10 arası sonuçlar
Sayfa 14
... producing elevated emotions , enliven greatly the fenfe of a man's dignity , both in himself and others ; and for that rea- fon , courage and generofity are in higher regard than the other virtues mentioned . This leads our author to ...
... producing elevated emotions , enliven greatly the fenfe of a man's dignity , both in himself and others ; and for that rea- fon , courage and generofity are in higher regard than the other virtues mentioned . This leads our author to ...
Sayfa 18
... produce them , and vanish with the emotions others are formed gradually by fome violent paf- fion often recurring ... produced upon a fpectator by external figns of paffion , of which none are beheld with indifference . They are pro ...
... produce them , and vanish with the emotions others are formed gradually by fome violent paf- fion often recurring ... produced upon a fpectator by external figns of paffion , of which none are beheld with indifference . They are pro ...
Sayfa 19
... , from claffical authors . And the first inftance he produces , is , of fuch as are faulty by being above the tone of the paf- Lion . B 2 Othello & Othello . O my foul's joy ! If after Lord KAIMS's Elements of Criticism . 19.
... , from claffical authors . And the first inftance he produces , is , of fuch as are faulty by being above the tone of the paf- Lion . B 2 Othello & Othello . O my foul's joy ! If after Lord KAIMS's Elements of Criticism . 19.
Sayfa 20
... produces is of fentiments below the tone of paffion . The next , of fuch as agree not with that tone ; as , where the fentiments are too gay ferious paffion Heav'n firft taught letters for fome wretch's aid , Some banish'd lover , or ...
... produces is of fentiments below the tone of paffion . The next , of fuch as agree not with that tone ; as , where the fentiments are too gay ferious paffion Heav'n firft taught letters for fome wretch's aid , Some banish'd lover , or ...
Sayfa 24
... produced by the following means : every line invariably is finifhed with two long fyllables , preceded by two fhort ; a fine preparation for a full clofe . Syllables pronounced flow refem- ble a flow and languid motion leading to reft ...
... produced by the following means : every line invariably is finifhed with two long fyllables , preceded by two fhort ; a fine preparation for a full clofe . Syllables pronounced flow refem- ble a flow and languid motion leading to reft ...
Diğer baskılar - Tümünü görüntüle
Sık kullanılan terimler ve kelime öbekleri
acknowlege addreffed againſt alfo anfwer appears Arminians Author becauſe cafe caufe cauſe Chriftian circumftances compofition conclufion confequence confiderable confidered confifts conftitution courfe defign doctrine Effay effential Epididymis eſtabliſh expreffion faid fame fatire fays fecond feems fenfe fenfible fent fentiments ferve fervice feven feveral fhall fhew fhort fhould fince firft fome fometimes foon fpecies fpirit ftate ftill fubject fuch fufficient fuppofed fure fyftem give hath Hiftory himſelf honour Hydrocele inftance inftructions intereft itſelf Jefus juft King knowlege laft language leaft learned lefs Letter liberty likewife Lord Mafter manner meaſure moft moſt muft muſt nature neceffary neceffity obferves occafion oppofition paffage paffions pafs perfons Phyfician poem Poet poffible prefent preferve publiſhed purpoſe queftion Readers reafon refpect religion remarks Rouffeau ſhall ſpeak thefe themſelves Theocritus theſe thing thofe thor thoſe tion tranflation univerfal uſe whofe words Writer
Popüler pasajlar
Sayfa 17 - Of every hearer; for it so falls out That what we have we prize not to the worth Whiles we enjoy it, but being lack'd and lost, Why, then we rack the value, then we find The virtue that possession would not show us Whiles it was ours.
Sayfa 91 - If you ask then, what is this Unity of Spenser's Poem ? I say, It consists in the relation of it's several adventures to one common original, the appointment of the Faery Queen ; and to one common end, the completion of the Faery Queen's injunctions.
Sayfa 139 - Under an oak whose antique root peeps out Upon the brook that brawls along this wood: To the which place a poor sequester'd stag, That from the hunter's aim had ta'en a hurt, Did come to languish...
Sayfa 333 - There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noontide would he stretch, And pore upon the brook that babbles by.
Sayfa 93 - Queen is more apparent. His twelve knights are to exemplify as many virtues, out of which one illustrious character is to be composed.
Sayfa 98 - ... earth : and as they never did fubfift but once, and are never likely to fubfift again, people would be led of courfe to think and fpeak of them, as romantic, and unnatural.
Sayfa 174 - ... him? Other animals, indeed, they have provided with feet, by which they may remove from one place to another ; but to man, they have also given hands, with which he can form many things for his use, and make himself happier than creatures of any other kind. A tongue hath been bestowed on every other animal ; but what animal, except man, hath the power of forming words with it, whereby to explain his thoughts, and make them intelligible to others...
Sayfa 39 - ... reflection; we meet with no rubs or difficulties in our way, or we do not perceive them ; we find ourselves able to go on without rules, and we do not so much as suspect, that we stand in need of them.
Sayfa 87 - FOR, though much, no doubt, might be owing to the different humour and genius of the eaft and weft, antecedent to any cuftoms and forms of government, and independent of them; yet the confideration had of the females in the feudal conftitution will, of itfelf, account for this difference. It made them capable of fucceeding to fiefs as well as the men. And does not one fee, on the inftant, what...
Sayfa 82 - Or may there not be something in the Gothic romance peculiarly suited to the views of a genius and to the ends of poetry? And may not the philosophic moderns have gone too far, in their perpetual ridicule and contempt of it?