 O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's...  The dramatic works of William Shakspeare - Sayfa 44William Shakespeare tarafından - 1814Tam görünüm - Bu kitap hakkında
 | Brian B. Ritchie - 1999 - 362 sayfa
...term the emotional sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, age which revelled in the potentialities and varieties... | |
 | Valeria Wagner - 1999 - 288 sayfa
...the speech, in which Hamlet wonders at the First Player's ability to play his part so convincingly: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Brian B. Ritchie - 1999 - 362 sayfa
...term the emotional sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, age which revelled in the potentialities and varieties... | |
 | James M. Welsh, John C. Tibbetts, Professor John C Tibbetts - 1999 - 320 sayfa
...monstrous that this player here But in fiction, in a dream of passion; Could force his soul so to her own conceit That from her working all his visage wann'd,...A broken voice and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! The vital yet often marginalized role of the... | |
 | Gail Holst-Warhaft - 2000 - 252 sayfa
...Afterthoughts 198 Notes 203 References 213 Index 225 The Cue for Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for... | |
 | William Shakespeare - 2000 - 356 sayfa
...Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous that this player here, 555 But in a fiction, in a dream of passion, Could force...own conceit, That from her working all his visage wanned; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Lawrence Schoen - 2001 - 240 sayfa
...Elsinore. Rosencrantz Good my lord! [Exeunt ROSENCRANTZ and GUILDENSTERN] Hamlet Ay, so, God be wi' ye! Now I am alone. O, what a rogue and peasant slave...his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With... | |
 | Dennis Kezar Assistant Professor of English Vanderbilt University - 2001 - 282 sayfa
...with almost clinical interest the "monstrous" rehearsal of an apparently delusional speech-act theory: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for... | |
 | William Shakespeare - 2001 - 304 sayfa
...lord. [Exeunt ROSINCRANCE and GUILDENSTERN] Hamlet Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect,... | |
 | William Shakespeare - 2002 - 244 sayfa
...that's villanous, and shows a most pitiful ambition in the fool that uses it. Hamlet— Hamlet III.ii O, what a rogue and peasant slave am I! Is it not...his visage wann'd, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for... | |
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