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Kitaplar O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here,... ile ilgili
" O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's... "
The dramatic works of William Shakspeare - Sayfa 44
William Shakespeare tarafından - 1814
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - 1999 - 358 sayfa
...term the emotional sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, age which revelled in the potentialities and varieties...
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Bound to Act: Models of Action, Dramas of Inaction

Valeria Wagner - 1999 - 275 sayfa
...the speech, in which Hamlet wonders at the First Player's ability to play his part so convincingly: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - 1999 - 358 sayfa
...term the emotional sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, age which revelled in the potentialities and varieties...
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Reinventing Drama: Acting, Iconicity, Performance

Bruce G. Shapiro - 1999 - 226 sayfa
...that acting does not rest upon transformation but instead upon the player's "monstrous" ability to "force his soul so to his own conceit / That from...broken voice, and his whole function suiting / With forms to his conceit."69 In the light of Francis Crick's Astonishing Hypothesis, which suggests a neurological...
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The Cinema of Tony Richardson: Essays and Interviews

James M. Welsh, John C. Tibbetts, Professor John C Tibbetts - 1999 - 297 sayfa
...monstrous that this player here But in fiction, in a dream of passion; Could force his soul so to her own conceit That from her working all his visage wann'd,...A broken voice and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! The vital yet often marginalized role of the...
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The Cue for Passion: Grief and Its Political Uses

Gail Holst-Warhaft - 2000 - 228 sayfa
...Afterthoughts 198 Notes 203 References 213 Index 225 The Cue for Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for...
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The Artist on the Artist

Harry Guest - 2000 - 462 sayfa
...dead father in her son's view, but poetry nonetheless. Words. Words dealing with an imaginary fate. Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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Heinemann Advanced Shakespeare: Hamlet

William Shakespeare - 2000 - 336 sayfa
...Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous that this player here, 555 But in a fiction, in a dream of passion, Could force...own conceit, That from her working all his visage wanned; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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The Klingon Hamlet

Lawrence Schoen - 2001 - 240 sayfa
...Elsinore. Rosencrantz Good my lord! [Exeunt ROSENCRANTZ and GUILDENSTERN] Hamlet Ay, so, God be wi' ye! Now I am alone. O, what a rogue and peasant slave...his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With...
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Guilty Creatures : Renaissance Poetry and the Ethics of Authorship ...

Dennis Kezar Assistant Professor of English Vanderbilt University - 2001 - 280 sayfa
...with almost clinical interest the "monstrous" rehearsal of an apparently delusional speech-act theory: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for...
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