O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's... The dramatic works of William Shakspeare - Sayfa 44William Shakespeare tarafından - 1814Tam görünüm - Bu kitap hakkında
| William Shakespeare - 1999 - 324 sayfa
...FJsinore. ROSENCRANTZ Good my lord. 500 Exeunt Rosencrantz and Guildenstern HAMLET Ay so, God bye to you. Now I am alone. O what a rogue and peasant slave am...passion, Could force his soul so to his own conceit 505 That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken... | |
| John Russell Brown - 1999 - 228 sayfa
...remain so. At times Hamlet speaks directlv about acting and, in soliloquy, is objectively descriptive: Is it not monstrous that this player here, But in...from her working all his visage wann'd; Tears in his eves, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit?... | |
| Joan Ackermann - 1999 - 60 sayfa
...a slice of pizza in it is on the passenger seat. GABE. Now I am alone. O, what a rogue and pleasant slave am I! Is it not monstrous that this player here,...his own conceit That from her working all his visage waned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
| Brian B. Ritchie - 1999 - 362 sayfa
...term the emotional sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, age which revelled in the potentialities and varieties... | |
| Valeria Wagner - 1999 - 288 sayfa
...the speech, in which Hamlet wonders at the First Player's ability to play his part so convincingly: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
| Brian B. Ritchie - 1999 - 362 sayfa
...term the emotional sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, age which revelled in the potentialities and varieties... | |
| Bruce G. Shapiro - 1999 - 250 sayfa
[ Maalesef, bu sayfanın içeriği kısıtlanmıştır ] | |
| James M. Welsh, John C. Tibbetts, Professor John C Tibbetts - 1999 - 320 sayfa
...monstrous that this player here But in fiction, in a dream of passion; Could force his soul so to her own conceit That from her working all his visage wann'd,...A broken voice and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! The vital yet often marginalized role of the... | |
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