 O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's...  The dramatic works of William Shakspeare - Sayfa 44William Shakespeare tarafından - 1814Tam görünüm - Bu kitap hakkında
 | Tetsuo Kishi - 2005 - 167 sayfa
...about Fukuda's translation5 of Hamlet's second soliloquy (Act II, scene ii), which begins as follows: Now I am alone. O what a rogue and peasant slave am...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,... | |
 | Barbara Goward - 2005 - 166 sayfa
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 | Kathy Elgin - 2005 - 36 sayfa
...the actors' skill. Even uneducated people were accustomed to using their imaginations in this way. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale In... | |
 | Jean Benedetti - 2005 - 264 sayfa
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 | Kenneth S. Jackson - 2005 - 324 sayfa
...follows, Shakespeare calls attention not just to Hamlet's "inaction," but the wonder of "playing": Is it not monstrous that this player here, But in...his own conceit That from her working all his visage waned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Michael Hattaway - 2005 - 272 sayfa
...player becomes the very figure of the emotion proper to his character, here 'the distracted lover': Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | Brian Winston - 2005 - 430 sayfa
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 | Robert Cohen - 2005 - 312 sayfa
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 | Samuel Seldon - 2005 - 360 sayfa
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