 O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's...  The dramatic works of William Shakspeare - Sayfa 44William Shakespeare tarafından - 1814Tam görünüm - Bu kitap hakkında
 | William Shakespeare - 2002 - 214 sayfa
...Good my lord. [Exeunt Rosencrantz and Guildenstern Hamlet Ay, so, God buy to you. Now I am alone. 535 O what a rogue and peasant slave am I! Is it not monstrous...player here, But in a fiction, in a dream of passion, 538-42 force . , . conceit: Hamlet praises the actor's skill, which controls his whole body and expresses... | |
 | William Shakespeare - 1995 - 340 sayfa
...you. Exeunt Rosentrantz and GuHJenstern Now I ara alone.. O, what a rogue and peasant slave am 1 1 Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit 550 That from her working all his visage wanned, , Tears in bis eyes, distraction in his aspect, A... | |
 | Ewan Fernie - 2002 - 298 sayfa
...for a fiction while he can 'say nothing' for a murdered king, but he needs action, not pity or words. 'Is it not monstrous that this player here, / But...passion, / Could force his soul so to his own conceit' (2.2.545-7) reads first as a disgusted condemnation of the kind of synthetic ecstasy he requires to... | |
 | Herbert Blau - 2002 - 378 sayfa
...Karen. Julie is staring over Peter's arm as he holds Denise: JUL: Your sister's dead, Laertes. MAR: Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit . . . JUL: There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream.... | |
 | John O. Whitney, Tina Packer - 2002 - 321 sayfa
...all have cause. Don't be an auditor. Be an actor. 165 7 Lend Me Your Ears The Art of ' Perj nation Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit . . . Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | David Lee Miller - 2003 - 268 sayfa
...go backward." Later in the same scene Hamlet marvels at the transformative powers of make-believe: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for... | |
 | K. H. Anthol - 2003 - 344 sayfa
...Guildenstern.] Ham. Ay, so, God buy ye. — Now I am alone. O, what a rogue and peasant slave am I! 576 Is it not monstrous that this player here, But in...conceit That from her working all his visage [wann'd], 580 Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With... | |
 | Antonio R. Damasio - 2003 - 372 sayfa
...wonder at the player's capability of conjuring up emotion in spite of having no personal cause for it. "Is it not monstrous that this player here, but in...own conceit, that from her working all his visage waned, tears in his eyes, distraction in his aspect, a broken voice, and his whole form suiting with... | |
 | Ralph Twentyman - 2004 - 136 sayfa
...play for example, produce profound results? Shakespeare's Hamlet certainly found that this was so: O, what a rogue and peasant slave am I! Is it not...broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! Hamlet (Act 2, Scene ii) When we realize that... | |
 | Heinrich F. Plett - 2004 - 600 sayfa
...After the rehearsal has taken place, Hamlet explains why the first player's performance was so perfect: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for... | |
| |
